My Mother’s Many Gifts

Her prayers were known in the whispers of time. They are the memories that bind us. The love that holds us. The gift that lives on. — from My Mother’s Prayers – altered book art journal

Growing up, I was never particularly fond of the name Louise, though I did like its meaning, “Famous Warrior”. Named after my father, Louis, I felt trapped between my mother’s desire I be ‘a good girl’ and my father’s wish I be the second son he’d wanted.

I wanted to be Natasha. As in, a Russian Princess with black hair and piercing blue eyes and alabaster skin who wore rustling silk gowns and always got her way, and when she didn’t, threw tantrums and stomped her tiny slippered feet with impunity.

Or Rebekah. Grandmother to Joseph.  In the photos of her in the big, red-leather-bound book with the words, The Catholic Bible embossed in gold on the front that sat in a dominant place in our living room, Rebekah had black hair and dark eyes, like me. She looked beautiful, like I imagined my father’s mother to be. I never met my father’s mother, but she too was Jewish, which seemed exotic to my childlike mind. We seldom spoke of her. She divorced my grandfather when he was a child. The story my father told was that she didn’t want him so sent him away from London, England to boarding school in Gravelbourg, Saskatchewan, when he was eight, while his sister stayed to live with her in London. Many years later I would learn that wasn’t the full story, but it was the story we grew up with.

I loved the story of Rebekah in the bible. How she cemented her place in history, used her feminine wiles and wits to create a dynasty and a place in history for her favourite son. In a house where my sisters and I used to joke about our brother that, “the sun rose and set on the son”, I liked how Rebekah knew exactly what she wanted and was committed to do what she needed to get it.

Rebekah’s path did not sit well with my mother. Women don’t behave like that she’d insist whenever I’d ask to read Rebekah’s story. It’s not ladylike to be so domineering, she’d say, before turning to a page she preferred we read.

Looking back, I can understand why my mother insisted we read only the stories that extolled the virtues she deemed to be ladylike. I wanted to be the things she did not admire in women. Independent, strong, willful even, like Rebekah, but was often told I was petulant and demanding, bratty even, like Natasha, my Russian wanna-be namesake.

For many years, I got lost somewhere between the pages of that red-bound-leather bible and the confusing messages of the world around me. “Be smart, but not too smart. Boys don’t like smart girls.” “Dream big, but not too big. Boys don’t like girls whose dreams are bigger than theirs.” “Be outspoken, but not too outspoken. Boys don’t like loud-mouthed girls.”

For my mother, there was never a question that being like Mary was the goal of every woman. Nor was there any question in her mind that I would ever attain such grace. I was just too flawed and imperfect to ever get there.

I didn’t particularly want to, ‘get there’. Yet still, I tried. And constantly failed. It felt like a set-up. By God. The Bible. The stories of men who dominated its volumes and its unrealistic expectations of women’s virtues. Society and its double standards. My body that, no matter how hard I wished it wouldn’t, kept turning into a body men desired.

I have long since come to terms with my name and nature and femininity. Time, and a whole lot of therapy, have given me perspective. But, as I began to write this piece I went back and read the stories of Rebekah and was transported back to those childhood days when my mother would take down the red-leather-bound bible from its perch and open it to a story she wanted to read.

In that memory I am reminded of the sacred nature of those moments. Of sitting close to my beautiful mother listening to her soft lilting voice, her hands fluttering in the air between us as she read the stories that meant so much to her. Of how each turn of a page revealed yet another stunning painting of a Biblical scene in living colour.

Sometimes, she’d read a story from one of the four Book of Saints that accompanied the red leather-bound bible.

The ones about the women saints, those who defied the odds, who did great things with great courage and even greater spirit ignited my imagination. I wouldn’t realize it then, but those are the stories that birthed the feminist in me.

I wanted to be like those saints. Not the pious part. That just wasn’t my gig. But the strong, committed, overcoming challenges and standing up to unrighteousness and corruption and wrong-doing in the world… now that part grabbed my dreams of who I wanted to be in the world. The challenge was always to find my path without having to be the ‘good little Catholic girl’ my mother dreamt I’d become.

It would take me many years, and buckets full of life experience, to find my own way.

And while as a child, I’d often rather have been out playing in the backyard, today, I am thankful for those times when I sat beside my mother as she read stories from the big red-leather-bound bible on her lap. I didn’t know it then, but in those quiet moments she was giving me many gifts. A love of beauty, of story, of art, of possibilities. And the courage to use my voice and gifts to create a better world today.

Namaste

__________________

About the Art: After our mother passed away at 97 years of age last February 25th, I brought home the stack of prayer cards she used every night to say her prayers. For several months, I worked on an altered book art journal, incorporating her prayer cards into each page. The 2-page spread above is from the printed copy of the finished book which I created of the altered book art journal (I wanted to give both my sisters a copy so needed to have it printed). The 3 faces are my grandmother, mother and me. If you’d like to view the print-copy of the book, you can see it here.

For me, the book stands as a testament to the power of art to heal hearts and the past while inspiring beauty in the present day and awakening courage to create a more loving tomorrow.

Strong of back. Soft of heart. #shepersisted No 75

No. 75 #ShePersisted Series – They said, you gotta be strong like us to change the world. She said, being strong like you won’t change the world for the better. We all need to be strong of back, soft of heart to create a better world together.

It is something I find fascinating about this dance with the muse I enter into every time I step into my studio, or sit at my desk, or go for a walk, or lie in the bath… OK. Maybe that should read, this dance with the muse I live everyday.

I don’t ask for her presence. She just is. There. Here. Everywhere. Within and all around me.

I also don’t ‘ask’ for ‘the words’ for the #shepersisted series to come. They simply appear. Sometimes, they come without need of editing. Sometimes, they form as a sentiment calling to be expressed, asking me to massage the words into deeper meaning. To find that meaning, I often have to go through the journey of creating the visual message first.

And then, there are days like yesterday when the words appear before I even enter the studio. They arrive in my mind, full of fleshy substance, carrying with them a deep compelling desire to be brought into visual being.

On those days, like yesterday, there is nothing I can do to dissuade or convince the muse I have other things to do.

I must heed her urgings. I must create.

And here’s the thing. While I don’t intentionally ask for or summon up the words, there is an intentionality to the creation of the artwork.

For example, beneath the layers of paint, the foundational background of No. 75 was created by using a rubber mat, the kind you put in the bottom of a sink to protect dishes. It’s all flowers and butterflies. To begin, I placed it on the blank white page and sprayed purple ink over it. When lifted, the page was covered in white flowers and butterflies between purple splotches.

The use of a kitchen sink mat is intentional.

It signifies that moniker I keep grating against yet still succumb to thinking is mine to take care of. That ubiquitous thing called…’women’s work’.

Yeah. I know. Division of labour and all that but the fact remains, while advances have been made over the past 40 years, women continue to do the majority of unpaid household work and continue to spend more time at it than men. Even more significant, COVID has caused many of women’s advancements to be lost, pushing women out of the workfoce, back into the home.

From kitchen mat to boardroom table, women continue to face obstacles that impede their rights, their opportunities, their independence, their health, wealth and well-being.

For me, the #shepersisted Series is my personal statement of ‘ENOUGH’.

Enough of playing by the rules. Of being, polite not forthright, assertive not aggressive, ladylike not badass girl-power running wild at the frontlines of making change happen now.

Seriously. Do men ever get told it’s not ‘manlike’ to ask for what they want? To be assertive, yes. Aggressive no. (watch for a yet to be created No. 76 on that one!)

The muse is not done with the #ShePersisted Series.

Neither am I.

But then, I’m not done with changing the world either.

How about you?

Have you had enough? No matter your gender identification, are you willing to stand up, give voice and make change happen for everyone?

None of us can do it alone. But together? We are a mighty voice. A powerful force. An unstoppable collective.

#choosetochallenge #speakupforinclusion #weareallinthistogether #strongtogether #womensvoicesmatter #girlpower

Breathe. Be. Here. Now.

“Like flowers preserved behind glass, her story wove strands of beauty throughout time.”

It took two days to complete. Two days of breathing deeply and allowing the muse to guide me.(In case you’re wondering, I’m referring to the finished journal page above.)

It’s hard. The letting go of expectations, of the need to ‘make pretty things’ and just be present within the process, allowing what wants to be revealed to appear in its own way.

It’s hard. But it’s worth it when it happens.

Not necessarily because the finished piece is ‘beautiful’ by artistic standards. Sometimes it is. Sometimes it isn’t.

The ‘worth it’ comes in the sense of peace and calm that envelopes and holds me in tender arms of gratitude and grace.

Gratitude because in the process of unfolding I release the goal of ‘making art’ to my heart’s yearning to allow the art within me to become me. In its revealing nature, I discover hidden (to me) pockets of creativity, desire, whimsy, curiosity, wonder…

Grace because while immersed in the process I feel myself carried gently along a colourful stream of creative energy that feels singular to me yet is deeply connected to the collective consciousness of all of life.

And, because when I am flowing with the stream, worrisome thoughts of self-criticism, judgement, negativity, ‘the future’, ‘why am I doing this?’ effortlessly float away, setting me free to simply Be. Here. Now.

It is divine.

This place where I allow without pushing, accept without resisting, embrace without holding on, become without doing.

And then I smile.

Because I really, really want to explain this piece which is quite different in many ways than my normal work…

Because… out of the flow, my critical mind looks at the piece and says… Hmmm… you know you could have taken the stems off the dried flowers before you glued them in. Oh. And do you think the bottom half is cohesive with the top? They’re such different styles. And, seriously Louise, what is this piece all about?

I am a ‘meaning-maker’. If you’ve hung around my blog long enough, you know that I love to dive into the inner self and shine a light on its secrets, mystery and beauty. It is as natural to me as breathing.

When I made ‘the decision’ to include the dried flowers in the page I was a bit surprised but, as I was in the flow, I let it happen.

Plus, I have a stash of dried flowers from summers’ past and now felt like a good time to use some. The photo has been sitting on the edge of my studio table for months. Seriously months. It was on a card I’d bought a couple of years ago, unearthed when I was cleaning up my studio one day. I don’t often use other peoples photos in my work but this one has intrigued me for so long I decided to use it along with some of my dried flowers. It’s a blend of a very different look and feel for me as well as part ‘Oh. This is my style too’ (I paint botanicals a lot into my pages) — It felt wonderful to step outside my comfort zone and play fearlessly.

As I kept working on the page, I could also feel my ‘thinking’ mind’s questioning of what on earth was I doing?

Time and time again throughout the two days of working on this journal page, I had to bring myself back into the flow by repeating quietly to myself…

Breathe… Be. Here. Now. Breathe… Be. Here. Now.

The quote appeared once I was finished. Somewhere deep within me, is a sense of the threads of time appearing like pearls in a necklace. Polished by time and the sea and the tide flowing in and out and over and into an oyster’s shell, that little speck of dirt grating against its body transforms into something of beauty.

Like the dried flowers. Perhaps they were once part of a posy the woman held in her hands as she sat waiting for her lover to appear in the night…

And so… when I was done and closed my eyes and held my hands upon the page, its essence appeared in the words written on the lefthand side.

.”Like flowers preserved behind glass, her story wove strands of beauty throughout time.”

To Love Yourself Completely: Part 2

To love yourself completely, begin with finding beauty in the broken places. Layers of Love – mixed media on canvas board – 7 x 9″

Yesterday, I posed the question at the end of Part 1 of To Love Yourself Completely, “Knowing what you know now, what are you willing to do to love yourself completely.”

It’s such a delicious question. So invitingly full of possibilities.

I mean, think about it, knowing what you know now, knowing how important it is to love yourself completely, the paths to self-love are endless.

As are, it feels at times, the places within where ‘unlove’ exist in constant disharmony. Those wounded places where self-neglect and shame and other signs of self-abhorrence hideout and manifest themselves in harmful ways that diminish your light and leave you feeling less-than and unworthy, angry and discontented, sad and weary…

They don’t hideout in your heart, those wounded places. They’re buried deep within your psyche, swimming in a sea of emotional angst infecting every facet of your being with their angst-riddled ways. Their presence robs you of knowing and sharing your talents, gifts, beauty and light with passionate abandon.

What will you do to love yourself completely?

For me, the studio is where I come home to my heart, where my mind stills its constant chatter and I become embodied in the infinite beauty of being all I am in the present moment.

Yesterday was no different.

As I began to create, I knew I wanted to explore the question. What will I do?

Not holding myself to a set idea or plan, I gathered random items to work with. A dryer sheet. A delicate piece of crocheted lace my mother had given me. A broken chain from a necklace I’d used when I made my wedding bouquet (it was made of brooches and necklaces from family and friends). Some painted papers. A leaf I’d printed on a piece of fabric. A page from a book of poems that belonged to my father on which I’d drawn a heart-shape and other bits of ephemera including a bit of painted paper from one of my paper dolls.

I got out acrylics, inks, watercolours, my sewing machine and let my imagination run wild as I zigzag stitched items together and glued them onto a canvas board I’d painted at the start.

When I was done, I sat quietly, eyes closed and rested my hands on top of the completed piece.

What is your story? I asked it. What truth are you revealing?

The answer drifted effortlessly up from the font of wisdom that is always present deep within my belly. Or, perhaps it floated down from the collective consciousness that connects us all (I don’t consciously know where it came from – it just appeared, as truth often does)

To love yourself completely, begin with finding beauty in the broken places.

Ahhh yes. My heart sighed. Truth.

And my body embraced it as my mind quietened and rolled the words around and around.

Find beauty in the broken places.

There are so many, my mind whispered.

And my heart replied, “They are all so beautiful to me.”

Namaste

____________________________

I shared this piece yesterday with an art journalling group I belong to. One of the members called it – Layers of Love — it fit so beautifully. Thank you Pamela W. ❤

To Love Yourself Completely

No. 73 #ShePersisted Series

It began with the words appearing just as I was falling asleep. I quickly grabbed my iPhone from the night table beside me and recorded ‘the message’ the muse had delivered. And while the final quote is not exactly as I recorded it, the foundation of the idea that dredging up the past has little value did not change between sleep and finishing the painting.

My mother used to say something like that to me a lot, “Why can’t you just leave it alone? It doesn’t do any good to dredge it up. Stop making trouble.”

I struggled to understand how my trying to understand the past was trouble-making. Mostly because I couldn’t understand how letting the past go without understanding how it was affecting the present didn’t make sense to me.

We butted our heads together, a lot, over that issue.

My mother wanting ‘peace’ by not discussing anything that had happened in the past.

My wanting to discuss things that had happened so that I could find peace with the past, today.

Today is March 3rd. Today is the day we said our final farewells to our mother one year ago.

On this morning a year ago today, I was sitting at my desk, where I sit now, typing. It was a little later in the morning. I know this because at one point, I looked up from my desk and saw two coyotes standing at the back gate along the stretch of tree-lined bank that separates our yard from the river.

I grabbed my phone to take a photo and called out to my sister, who was lying on the chaise beside me listening to a song I’d played for her – it was a family favourite and I wanted to include it in the powerpoint I was working on of mom’s life.

I wrote on my blog the next day,

On Tuesday morning, two coyotes loped off through the forest that lines the river in front of our home. One stands hidden in the trees, waiting patiently. The other comes and stands outside my window. He is listening and watching. And, when he turns to go I hear a voice say,  “Cheerio kids. “I’ve got her. She’s safe.”

This morning, as light creeps across night’s sky, I keep looking out the window. Will they appear?

And I smile.

While mediums might disagree, I can’t order up spirits in the form of coyotes at will.

But I can remember the sight of those two coyotes that morning and the message they brought.

And, I can hear my mother’s voice this morning whispering through the trees, “The answers you seek are not in the past, Louise. They are inside you. They always have been.”

I hear her voice and want to argue.

And I smile again.

It was always the way for my mother and me. She would say something and I would try to prove her wrong, or at least convince her that my way worked too.

I listen again. Deeply. The answers are not in the past. They are inside you.

I take a deep breath and watch two geese flying along the river, their wings almost skimming its surface. The geese are noisy these days. They honk and flap their wings where they nestle up against the ice at the edge of the river, just outside my window.

I close my eyes, take a breath and let my conscious mind sink down into the bottomless mystery of my life deep within me.

The answers are inside you.

I follow the trail of memory, like Hansel and Gretel wandering through the woods until I come to a cave, its entrance a black whole buried in the side of a rock. It is not foreboding. Just dark. Mysterious.

I step inside and am immediately bathed in a beautiful, pure light.

I love you, a soft voice whispers. Always have. Always will.

I take a deep breath letting the light wash over me. A tear trickles down my cheek. My body feels warm.

I open my eyes and look outside the window.

The river flows. The geese honk. A squirrel runs across the branch of a tree. Morning has broken.

There are no coyotes at the back gate.

It doesn’t matter.

I have the answer to my prayers.

I love you. Always have. Always will.

And I know. To hear the voice of love, I needed to first unravel the past. To find the path from the ‘there and then’ to the ‘here and now’ where I am free to cut the strings that tied me to my quest for the events that would answer the question ‘why’.

In the end, ‘why’ was never the question.

The question was, and will always be, “Knowing what you know now, what are you willing to do to love yourself completely?”

Namaste

_____________________________

To Plan or Not To Plan. It’s not a Question!

Art-journalling is about creating without a ‘plan’. It’s about allowing myself to be free of ‘intention’ or a destination and to simply be present to whatever the heart is yearning to set free.

Yesterday, when I started, I kind of blew it before I began.

I had an idea. That idea flowed into a plan. I was ready to execute on it when I sat down at my studio table. I was going to paint the rest of the faces of my paper dolls.

Except…

As I settled at my worktable to begin, I felt the stirrings of the wise woman within me. “Be still,” she whispered. “Be still.”

Now, being still is great in meditation. it doesn’t get paint on a page.

She kept whispering. “Be still.”

I stopped, took a deep breath. Closed my eyes and listened deeply.

And that’s when I heard her question. “What if it’s not about painting their faces but cutting the ties that bind?”

Huh?

Not paint the faces? But that was my plan.

I felt her amused smile tingle all the way down to my baby toes. “Your plans are so… enchanting,” she said. “What’s even more enchanting is to let go of your plans and listen deeply to your heart.”

Oh. Listen deeply to my heart.

I bustled around my studio for awhile, tidying up, watering the plants, filling Beaumont’s water dish. You know, doing the things we humans do when we’re trying to avoid doing the things our heart is calling us to do. Facebook scrolling. Instagram — looking for inspiration.

Right? Yeah. I know. Busted.

Except, the scrolling helped. I re-read the quote I’d written from my art journal page on Friday,

"In every heart there is a song of love yearning to be sung. 
Listen deeply to the yearnings of your heart."

The heart knows.

I picked up the paper doll chain I had planned on painting, took a breath and cut the paper connecting the first two dolls. The ones whose faces were already painted.

I breathed again.

A lovely whiff of flowery-scented air caressed my face. My heart expanded with delight at its touch.

Ahhh… I felt free!

The symbolism is not lost on me.

The import not unnoticed.

I began to paint.

In the end, the painted dolls I’d planned on collaging into whatever I created didn’t get collaged in.

Instead, I went with the wildness dancing in my heart. I let go of my plan and found myself breathing deeply into the radical gift of creative self-kindness – letting everything go, holding onto nothing except the art of creative expression.

And as I cast paint upon the page like seeds floating upon a gentle spring breeze, I felt the child within smile and run off to play amongst a field of wildflowers blowing in the wind.

Life is such a beautiful gift. Joy is such a delightful companion. And self-kindness is such a loving force of nature it can heal all wounds, even those we don’t know we carry.

I hope you spread a little kindness on yourself today — better yet — a lot!

I hope your joy ripples out into the world in rivers of delight creating gardens of Love wherever you go.

Namaste

Memory’s Relentless Undertow

I feel memory’s tug, like an undertow pulling me into the riptide of its dark and stormy seas, calling me to dive deep. To give myself over to its beguiling insistence I am powerless to resist.

I know resistance is futile.

I resist anyway. Gasping and struggling as I fight its relentless current pulling me under, away from the safe shores of what I know with certainty into those dark spaces of what I tell myself I do not need to revisit or explore or see or know.

I first noticed the undertow when I began painting the faces of one of my paper doll chains.

The critter hissed. “What a stupid idea. Don’t do it Louise.”

Curious, I turned to face its presence in my psyche. “Why not?” I ask.

“Because I said so.”

I know that voice. It is the one that carries childhood angst and fears.

“What are you afraid of?” I ask it.

The critter tosses her hair back behind her right shoulder, sticks her chin up into the air and says, vehemently, “I’m not afraid. I just think it’s stupid to be playing with paper dolls. You’re not a child anymore Louise. Grow up.”

It was the ‘grow up’ that triggered me.

I remember that phrase. I heard it a lot when I was a little girl growing into adolescence and then my teens.

Grow up. Cry-baby. Act your age. Don’t be such a spoiled brat.

Words flung carelessly onto the delicate fabric of my psyche weaving its way into adulthood. Words that stung. Confused me. Hurt me.

I smiled through them, pretending like I didn’t care.

The sting of those words has lessened with time and therapy and doing ‘my work’.

Yet still, they drift back into view in moments when I least expect them, reminding me that within me are still hidden pockets of history. Places where, I tell myself, to dive in means risking letting go of what I have in the here and now.

And the voice of wisdom deep within whispers. “Memory cannot hurt you. It lives in the ‘there and then’ in your head. It isn’t real but its impact is felt in the here and now. Diving into it can set you free to live completely free and authentic and present in the here and now. Be brave Louise. Be brave.”

It is the gift of creative exploration. I never know what will be revealed. I only know it will fill in the gaps of the tapestry of my life with the wisdom garnered from letting what is seeking to be revealed appear. In its appearance, I am free to paint it with all the colours of the rainbow. Free to dance in the lightness of being released from its muddy stories dissolving into vivid colours woven through all the threads of my life today.

I don’t get to pick and choose the threads that appear. I do get to choose whether I heed the invitation to explore their mystery. In heeding the call to explore the stories they reveal, I empower myself to weave their story into my tapestry today with threads of beauty, compassion, love, joy.

I began to paint the faces on a paper doll chain.

Memory beckoned. Come dive deep into the mystery, it whispered.

I resisted.

I balked.

I hesitated.

Memory is a relentless companion. It keeps pushing and tugging. Prodding and probing.

Memory cannot hurt me. Not diving in can.

I dive.

And fear is washed away as the mystery of more of me unfurls in the exquisite beauty of the here and now.

It is a beautiful mystery this life we live. It is a beautiful mystery worth exploring to our deepest depths.

Care to go for a swim?

Joy Does Not Sleep

Joy does not sleep while you muddle through your days. It dances always in the hope that you will awaken to its light.

The inspiration for this page came from a comment a lovely soulful woman, a fellow artist, made about one of my pieces and how it opened a door to healing and connection and joy.

On this day of the second year since my mother’s passing, I am reminded of how a friend described her feelings when in her 50’s both her parents passed away — “Since ‘becoming orphaned’ as she put it, I am all alone”. I wanted to create something that took away the sting of that idea of ‘being orphaned’ and connected me to the joy that is always dancing within and all around me.

In a comment yesterday, MSJaDeli of TaoTalk, shared a story from the Zhuang Zi. “Someone dies and an old man in his tent starts banging on his tin plate in grief. This is the wise man who is supposed to be above it all. The banging begins to bother others who go to check on him. They ask the old man, hey aren’t you the wise man, how much longer are you going to bang on that pan. The old man says I feel it as long as I need to feel it and when I don’t feel it anymore I’ll stop banging on the pan.”

I am known amongst some of my friends as a really good pot-banger. (The ‘good’ is my word, btw. Not necessarily theirs.) On backcountry ski trips, I was inevitably the first one up. As the first one up I would restoke the fire in the hut and put on coffee as well as start breakfast. As these were backcountry huts there was no electricity or running water. My least favourite task was going out to haul in water so… if the big water container was empty, to ensure there was coffee, I had to wake someone up — which meant I’d walk around singing at the top of my lungs, banging on a pot with a big metal spoon — I didn’t say it was a good practice. Just that I was good at it! 🙂 I know. Not my finest moment. Though we inevitably would get off to a nice early start because of my ‘joyful’ pot banging.

MSJ’s sharing of that story reminded me of those days and how much joy I felt being with good friends, far from the maddening crowds, surrounded by soaring peaks and still mountain air and sprawling valleys leading up to wide open slopes of untouched powder.

Glorious!

I am so blessed.

I bang on my keyboard letting words spill out, letting my emotions flow wild and gloriously free. I bang with my paintbrushes, hauling paint pots onto my worktable, tossing colour and texture onto the canvas with joyful abandon, transporting myself far from the maddening crowds into the sacred fields of creative expression.

I dance with the muse and joy lifts me up reminding me always — I am never alone. I am always connected to the divine essence of life in all its sprawling beauty unfurling.

In my studio, I know with great certainty, I am connected to the all that makes this life so beautifully exquisite and precious.

Namaste

Life is Messy. So is Grief.

I was the final note in the quartet of children that made up the siblings in our family. Growing up, I often felt like the cymbals. Clashing and clanging at odd moments while everyone else knew their part off by heart, chiming in appropriately, hitting their notes, playing in harmony.

Today, only my sisters and I remain of the original band. My daughters and two nieces now carry the tune. While the notes between the sister-pairs are strong, the notes between the cousins are far apart and barely audible. Since my brother and sister-in-law’s tragic deaths over twenty years ago, my nieces have had little contact with any of us. The drama and turmoil of those days leading up to and following their parents’ deaths were incomprehensible for an 18 and 19-year-old. As my brother and mother had an argument shortly before the events unfolded, and my mother was inconsolable in her grief, they chose to distance themselves from all of us. The distance was never closed.

Losing her son was a heavy loss for my mother. Losing her connection with her first-born granddaughters was a loss that weighed heavily on her heart for the rest of her life.

Yesterday, to find balance and calm in a day that while significant in terms of the calendar, was still just another day, I headed into my studio to create.

I have always believed it is the gift of Love that brings us into this world and love that carries us out. All we can leave behind is that which carries us in, through and out of life – Love.

We, the ones left behind on this earthly plane have a choice, to pick up the remains of pain and turmoil or follow the path of love.

I am grateful for my practice of art journaling. For its grace and reflective space and healing arts. It holds me steady on the path of love.

In this page, the six roses represent our original family — My mother, father, brother, two sisters and me.

The five birds flying together represent my sisters and me and my two daughters. The two little birds just coming out of the rose on the left are my two grandchildren.

In the middle, flying separately in a misty sky, are my nieces and grand-nephew. The flowers at the bottom represent La Grande Famille growing wild and free and loving all around the world.

No matter if we spend time together or how far apart our stories, we are always connected through this circle of love that is our family.

As I finished the page, the words came to me, “In the garden of your life let love grow wild and free.”

_______________________

I also created another page yesterday (I use another journal alongside me as I paint to wipe off excess paints).

As I wiped off paint and held myself lovingly within the harmony and the discordant notes of family, I knew this page was about not fitting into a box, but living in the messy of life. Something that spoke to all my emotions on this day.

I wasn’t sure what I was feeling/expressing until I finished and then sat down to write in my journal what creating this page brought up for me. And that’s when I understood…

Grief is Messy…

Grief Is Messy
 by Louise Gallagher
  
 Grief is messy.
 It follows no well-known path
 travelling to the beat
 of its own drum
 and pushing through boundaries
 you desperately put in place
 to keep its presence at bay.
  
 Grief is stealthy
 It dresses up in familiar clothing
 masquerading as your best friend
 while its steals your identity
 encroaching on the spaces
 of your heart
 you want desperately to avoid
 visiting.
  
 There is no taming grief.
 There is only its heavy cloak
 of companionship
 wearing you down
 until one day
 you find yourself arriving at that place
 where moments spent wrapped
 in grief’s company
 die away
 as softly as the sweet melody
 of the voice
 of the one who is gone
 fades into memory. 

What if play is important?

I played yesterday.

After my Monday zoom call with the artist with whom I am working on a collaboration, I felt uplifted, excited, energized. I decided it was time to play.

After finishing my piece for this week’s collaboration, I decided to set aside some time to play.

And I laugh. Part of the wonder of play is its spontaneity, and there I was, planning my play.

And then I laugh some more. How adult of me. Judging my play right from the get go.

The inspiration ‘to play’ came from a post on Orly Avineri‘s Instagram feed. Orly is an intuitive artist whose work inspires me to let go and be present. On her birthday last week, Orly wrote, “When we were preschoolers we would go outside and build things from found materials, and when inside, we’d scribble and doodle on walls or any piece of paper laying around.”

And she continued on to list things we did or didn’t do ‘on purpose’ or with an intention or reason or need to be heard or seen, free or discovered.

We just did what called to our heart.

It was her finale to her post that resonated most deeply, “…what happened to us along the way? How did we accumulate so many intentions, questions, explanations, reasons, and purposes to do what we intrinsically know how to do so well?

No wonder all of us freeze, perpetually. No wonder we, as adults, are always in “seek” mode, never fully satisfied.”

Ahhh…. and my soul expanded. Seek mode.

Always seeking. Doing. Becoming.

Always looking for an answer, a reason, a purpose, a sign.

Always searching for satisfaction, fulfillment, destination, destiny. A new ‘me’, new way, new idea, new beginning.

Always seeking.

What if living isn’t in seeking the answer to the question “Who am I?”

What if it’s in the living ‘the what’ of who we are with all our heart on fire with the energy of Love driving us into the arms of the deep passion within to express our sacred human nature in living colour? What if play is all we need to set our soul dancing to the music our whole body, every cell, every pulse of blood, every beat of our heart, movement of our hands and feet rejoices in?

What if play is the gateway to experiencing all of life?

So… I decided to try it out. Play.

I painted both sides of a long piece of paper I cut from the roll I use to cover my worktable. There was no ‘rhyme nor reason’ to the colours I used. The design. The placement of the paint on the Gellipad I used to monoprint the paper. There was just the desire to feel my way through to the joy that comes with being immersed in creativity, dancing with the muse, releasing my thinking mind to my body’s ‘knowing’.

And then, I folded the paper in half lengthwise, and then into a booklet with 8 folds. I drew a doll shape onto the front, cut it out and la voilá. I had a paper doll chain.

Full disclosure, earlier I had told my art-partner in our zoom call that my next project was to create a 3 part workshop on paper dolls. There is a purpose, process and practice to the workshop. I even know what category it will fit in on my blog, “The Seeker’s Journey”.

Yeah — I know. So much irony there.

But, (and yes, there’s also a ‘but’ butting in) my desire to create the workshop is to awaken the creative child within, the one who knows how to play without intention, be present without purpose and be without becoming. So… the purpose is important, she says, laughing at herself ’cause again… yup. So much irony.

And there’s also truth. While I was painting and folding and drawing and cutting I wasn’t thinking about the workshop I wanted to create. There was no room for thinking while I was immersed in creating. There was simply the joy of being present within my inner child’s joy of being free to play, just for the fun of it.

It isn’t always easy. This playing. This staying in the moment, being present to everything in and all around us. Sometimes, we need visual and physical aids to unharness our thinking minds and release ourselves to the deep inner knowing of our bodies.

I’m not done. I have an intention (of course I do) of painting the dolls. I might even make dresses for them as I loved to do as a child.

Because here’s the thing I noticed as I played. I felt the air around me touching my skin. I heard the silence between the notes of each song playing in the background. And I heard the laughter of the child within as she delighted in the joy of playing with me in the field of creativity flowing all around.

I’m not done yet. But then, it’s never about getting done or the destination. It’s always about the journey.

Namaste

_________________

And I am working on a 3 part online course on Playing with The Child Within. Stay tuned…. It promises to be a lot of fun! I’d love to hear what you think… Ok. Feel. Sense. Intuit. Yeah… what your child knows.

________________

PPS – I was also inspired by a beautiful thank you card I received from a lovely woman, fellow artist, Mitzi B. It’s a stunning piece of work and forms the backdrop in the photo.