ThE Incantations

“Whispered into the holy night, her prayers were an incantation awakening sacred joy and delight.” Pgs 51 & 52 My Mother’s Prayer altered book journal

My father was a curious man. He read voraciously and always replied to questions such as, ‘How do you spell ___________?” or “What’s does _________mean?” with the response, “Go look it up in the dictionary.”

Of course, I’d try to find a ‘smart alecky’ answer like, “If I don’t know how to spell it how can I look it up?

It never phased him. He’d make me think about the spelling, what I thought it was, and work from there.

Question about the meaning of life, or things or processes were always answered with, “Go look it up in the Encyclopedia Britannica.”

The EB was the fount of all knowledge when I was growing up. If it wasn’t in the Encyclopedia, it wasn’t worth knowing.

Because French was my mother’s native tongue, I seldom asked her those kinds of questions. For her, I reserved my curiosity about God.

“Why would God place a sin on an unborn child? Aren’t we born perfect and whole in God’s image?”

“Why do dead people have to wait it out in Purgatory for prayers of the living to release them? Doesn’t God forgive all sin? Isn’t that why Jesus died?”

To my mother, my constant questioning of God was an assault on her faith and her being.

I didn’t intend it to be but, because so much of what I learned about God as a child was fear-based, I wanted answers so I wouldn’t feel so afraid.

I didn’t like feeling afraid, especially if the adults around me didn’t have ways to assuage my fear.

And I definitely didn’t like the anxiety of waiting for ‘the Hand of God’ to come crashing down from the heaven’s above and knock some sense into me. Which is something my mother often wished for, at least that’s how I translated her entreaties that I ‘be like the others’ (my 3 older siblings) and stop disobeying her constantly.

“God knows everything,” my mother would say. “He sees you and hears you and he is angry at you for being so bad.”

And she would cry and wonder out loud what she had done to deserve such a difficult child as me.

After years of therapy and inner child work and personal development courses and journalling and a host of other practices to make sense of the mess I felt was ‘me’ inside, I understand how my mother and I walked on such unsteady ground.

How could she keep me safe from the world if I was constantly putting my eternal soul in danger by questioning God’s will?

How could she have peace if I was constantly searching for answers to the things she did not want to speak of?

Namaste

______________________________________

One of the gifts of art journalling is its invitation to experiment. With products, process, perspective…

Awhile ago, I watched a video on using Vaseline with alcohol inks. I wasn’t using Alcohol Inks on this page but was curious what would happen if I used it with acrylic inks.

Magic.

The vaseline acts as a resist so that when I spray onto the page, where ever I’ve applied the vaseline, the ink doesn’t adhere. When the ink is dry, wipe it off and voilá! (Ok. The wiping off takes patience but it’s well worth it!)

The lighter spaces, including within the dark image on the left which was the photo on the page I was working on, remain untouched by the ink.

For me, this page speaks to the mystery of my mother’s faith, of life, of relationships, of the universe.

I see the scrolly piece at the bottom as the filigree frame that separated the penitent from the priest in the confessional.

The lone figure walking towards the lit area of the image on the left is me, searching for answers while staying true to myself — which was not always easy when my path took me far from the Catholicism of my mother’s way.

And the entreaty to, “Be. Here. Now.” is the reminder that the past is not alive in this moment, nor is the future.

Life lives in the now. It is here where the mystery flows with grace into the mystical nature of life, creating magic and wonder in my life today.

Now is where Life happens.

Celebrate it. Cherish it. Create beauty within it.

.

There Are No Accidents In The Human Heart

There Is No ‘Us And Them’. – two page spread in altered book art journal, My Mother’s Prayers

My mother was devoutly Catholic. She was also very superstitious.

Though putting shoes on a table isn’t particularly hygienic at the best of times (like if they’re new) for my mother, it was cause for panic. It was a harbinger of impending death.

Stir with a knife. Stir up strife.

Black cat on your path. Look out!

We used to tease her a lot about her superstitions. Here response was to pray for us with another Hail Mary.

And, though her faith was firmly embedded in Catholicism, her roots were grounded in the land of her birth and the Hinduism of Southern India.

In my parent’s home, the Crucifix along with statues of Mother Mary and Jesus Christ dominated. But there was always a place for Shiva and Brahma. And, because my father liked to stir things up, there was always a Buddha or two sitting on a shelf high above our heads. As a little girl, I loved to rub the Buddha’s belly. No matter how high the Buddha sat, I’d climb up on a chair or reach up on my tiptoes and rub away. My mother told me it would bring me good luck.

I still have a Buddha on a shelf in my kitchen along with a statue of Shiva and an elephant with its trunk upturned (its good luck). The crucifix my mother carried around the world with her since leaving India decades ago, sits on the mantel in my studio and yesterday, I carefully placed the figurines of Jesus and Mary that sat on her bedside throughout her life on the side table by the sofa. A tiny Laughing Buddha stands with them.

My parents taught my siblings and me to listen and see and feel and know and honour everyone. Not by the labels of society, but by their hearts. They taught us that there is room for everyone at the table no matter where they came from, where they were going, or what they brought to the table.

If Buddha and Christ could stand side by side on a counter, why couldn’t we sit side by side at a table?

Yesterday, after finishing rearranging and organizing my studio, I delved back into the altered book journal I’ve been creating in honour of my mother. “My Mother’s Prayers”.

It is not an accident that the left side of the page has a prayer card of Mother Mary. Just as it is not an accident that Brahma graces the right side of the page tucked beneath the purple flowers I painted in remembrance of my mother.

As my parents taught me; There is no ‘Us and Them’. We are not our faith, or colour of our skin or land of our birth. We are our hearts and there are no accidents in the human heart. There is only Love.

Namaste.

Wednesday Morning Wonders

The view from my desk.

My office view used to overlook a parking lot.

I like my view better now. My lifestyle too.

There is a quiet, slow, lyrical rhythm to my days. A calmness that never existed in the past, no matter how much I meditated or breathed into the moment.

And I wonder…

Is it possible to be ‘in the moment’ when working in an environment that by the very nature of the circumstances of those who use its services, is fraught with drama and angst?

For almost 20 years I worked in the homeless-serving sector. Aside from 4 of those years when I worked in a Foundation, my office was situated in a homeless shelter.

I loved the work. The people. The sense of purpose that filled my days.

I did not like the stress.

And I wonder…

With Covid’s necessity of working from home for so many people, and so many companies talking about reconfiguring their offices to include permanent ‘work-from-home’ opportunities, will stress levels decrease?

And, will decreasing stress levels change the timbre of the world’s heartbeat? Will the earth’s pulse slow down?

And I wonder…

If as a ‘people’ we become less agitated by our busy scurrying from here to there, will we collectively embrace a calmer, gentler way of being present in this world?

The sun is shining this morning. The smoke that clouded the sky for days has lifted.

Sun dances through the leaves that dance to the music of the wind whispering through the branches of the trees swaying provocatively.

The river flows. Steady. A blue/grey ribbon of life moving ever forward. Always eastward to a distant sea.

I sit at my desk and watch a squirrel run across the lawn, its mouth stuffed with edibles its found on its foray through the garden. It leaps up onto the fence, hops onto the closest tree trunk and scurries from branch to branch back to its lair.

It seems unconcerned by Covid’s presence. It is oblivious to my watching eyes. The branches swaying in the morning breeze. The river flowing past or the sporadic traffic travelling across the bridge. It carries its bounty home. It is preparing for winter days to come.

And I wonder…

Does the squirrel’s blood pressure rise as it scurries around preparing for icy days to come? Does it worry about its capacity to survive Arctic blasts of bone-chilling air or, is its mind filled with visions of being warm and toasty, curled up with its den-mates over the long cold days of winter that lurk just beyond the horizon?

Does a squirrel know there is a tomorrow to worry about or does it live naturally in the moment of collecting food to carry home?

Wednesday morning wonders bring me back to earth. To this moment where I sit at my desk savouring the beauty and the loveliness of the world around me. The sun shining, the leaves dancing and the river flowing.

This moment right now. This is where I sit.

A Prayer for Present Me

Watercolour and acrylic inks on watercolour paper – 9 x 12″

I didn’t know I was still carrying energy around a long-ago event until my daughter told me about my grandson waking up inconsolable with a fever.

Ah yes. I remember those feelings. That sense of helplessness. Of worry and fear grappling for dominance in my mind.

She was three months old. Thanksgiving. She’d been fussy for a couple of days. I asked Wanda, our next door neighbour who was a pediatric nurse, for help. What do you think? Should I take her to a doctor?

She’s just teething, Wanda asserted.

I wanted to believe her but the next day when she would not stop crying, (Alexis never cried as an infant) I insisted we take her into the Children’s hospital emergency room. We were on our way to my then in-laws for Thanksgiving dinner. Dinner can wait, I told my then husband. This is more important.

I remember when they took her from my arms and placed her on a cold steel examining table.

I remember when they put a tiny IV needle into her scalp.

I remember holding her and trying to soothe her and all the while she is mewling and I am forcing myself not to cry because I need to be calm for her.

She was admitted to hospital that day. An infection. A spiking temperature.

She was there a week.

I only went home to shower and change my clothes.

I could not leave her alone no matter how kind and caring the nurses and doctors.

I could not leave her alone.

I had forgotten about those moments and days 34 years ago until I heard about my grandson. He is okay. Whatever was ailing him passed through and he is once again his sunny self.

I am grateful.

That he has weathered this storm, whatever its source and that I can breathe again through memory, letting time wash away the traces of those moments and days long ago when I felt so helpless, so incompetent and like such a failure as a mother.

How could I not have known when first she started to cry that it was something serious?

How could I not have immediately whisked her off to the doctor?

And I smile.

I remember.

I never wanted to be ‘one of those mothers’ who was constantly dragging their child to a doctor imagining the worst.

I wanted to assume the best. To be calm, collected, thoughtful in everything I did.

Years later, when Alexis was about 12, she’d break her foot climbing the doorframe to the kitchen (I know. It was a thing to do.) Not wanting to foster her assertions that something was seriously wrong after having listened so many times to her cries that a fall had resulted in a break which ended up with unnecessary x-rays, I put ice on her foot and told her if it was still hurting in the morning, we’d get it checked out.

Sure enough, this time, the break was real.

And again, I wondered, how could I not have known? How could I be such an incompetent mother?

I’m smiling as I write that. I think being a mother has taught me more about acceptance of my limitations and fears as well as made me aware of my blind-spots and ego’s need for reassurance than anything else I’ve ever done in my life.

Being a mother humbled me. It still does.

And being a YiaYa has given me the gift of remembering those places where old fears still linger, where charred spots in my psyche can still burn.

And I say a prayer of gratitude. And I say a prayer of hope. And I say a prayer of remembering what it means to be human.

We do our best and our best is all we can do.

Namaste.

___________________________________________________-

As part of the course I’m taking online with Orly Avineri, the invitation was to take one image and repeat it 3 times in a journal page.

This page in my altered book journal, My Mother’s Prayers, is called, A Prayer for My Inner Child — it became 3 prayers, one for my inner child, my present me and my future me. My mother always lit candles for her children, particularly when something was going on in our lives. I’m pretty sure, 34 years ago she burnt a candle and prayed for Alexis every day.

A Prayer for My Inner Child
May you always feel safe in my arms of Love, free to run with abandon in the garden of dreams blossoming in my heart. May you never fear that I will desert you or put you at risk. May you know peace within me.
A Prayer for My Present Self
May courage be my constant companion, drawing me deeper and deeper into the great mystery of life where I am bound in sacred partnership within the luminous present opening my heart to Love always.
A Prayer for My Future Self
May you feel deeply and passionately connected to the exquisite nature and intimacy of the whole dancing fearlessly in the ephemeral nature of the embodied present. May you dance with life, falling forever into Love.
And so it was.
And so it is.
And so it will be.
Forever and Always.

Do You Believe In Yourself?

“Softly, her dreams took flight on the wings of hope that believing in herself was all she needed to make her dreams come true. And they did.” – Altered Book Journal. “My Mother’s Prayers” two-page spread.

We all have dreams. Big ones. Little ones. Quiet ones. Loud, audacious ones. Dreams of living lives of wonder. Dreams of great adventure. Dreams of discovering far off lands, of creating stories of greatness in our lives.

Sometimes, our dreams come true. Sometimes, we let them go because life happens.

We fall. We face a wall we cannot climb. We trip over a rock that sends us flat on our back.

In our pain and fear of getting hurt, in our concern others will laugh at us or judge us for our failures, we lock away our dreams and continue on our journey taking the safer path, the road more travelled.

We do okay. We create a ‘good enough life’. It’s just not the life we once dreamed of. But that’s okay, we say. Dreaming is for children. We’re “all grown up now”. We have responsibilities. Success. Things. Secure inside the comfort zone of the life we’ve created, we forget about our dreams and carry on living our good enough life.

And then, one day, if we’re lucky, something happens to remind us of our dreams. Tentatively. Hopefully. We unlock the cage inside our heart where we tucked away our dreams long ago and peer inside.

That’s where the magic happens. That’s where our dreams peer back at us and ask, “Are you ready to come alive?”

It’s a big question because if we say yes, the next question we must ask ourselves as we peer into our hearts and gaze at the sleeping beauty of our dreams unlived is, “Am I willing to believe in myself?”

_________________

As with all the pages in this altered book art journal, embedded within the page is one of my mother’s prayer cards. Also included are a photo of my mother and father hidden behind the smaller bird in the cage.

I hadn’t intended to hide them. Initially, I was going to transfer their images to the page with a technique that requires you to rub off the photo backing so that only the ink from the image remains affixed to the canvas. I started the process with the prayer card only to discover, while that technique works well on a canvas, on a book page the vigorous rubbing off required to remove the backing paper can tear the page of the book.

Ooops.

I wanted to quit. To give up. To tear out the page and begin again.

And that’s when this page became something entirely diferent than what I started to create.

Isn’t that what happens to our dreams sometimes?

We start out all excited and open to the journey until we encounter an obstacle or something goes drastically wrong. Feeling dejected, or embarrassed or possibly hopeless, we pack away our dreams and continue on our journey. It’s a little less bright. A little less promising, but it’s okay. It’s a good life and we should be grateful for all we have.

We tell ourselves, “We didn’t really like that dream anyway,” or some such conjured up story that will hide our disappointment. We’re living well so we ignore the ache in our hearts and the yearning in our minds to fly higher.

Until one day, something happens and we remember our dreams. We remember we are brave, courageous, worthy. We remember we are dreamers.

In that sacred, rarefied air of possibility, we take a step outside the confines of our comfort zone and take a deep breath.

We stretch our arms wide.

We close our eyes.

We dare.

To dream.

To believe in ourselves.

To set our dreams free.

Second Time Syndrome

It is a trait I’ve noticed before. One that trips me up easily, reminding me of how delicate and fragile, as well as rigid and pernicious, my ego’s need to look good.

I call it my “Second Time Syndrome”.

The first time I try something new, I am generally very patient with myself. I allow myself lots of latitude for learning, stretching, messing up and not doing it ‘perfect’. The exploration of the craft becomes a vast playground of possibility where I am both awakened and alive within the expansiveness of the creative process and the joy of stretching and tuning my creative muscles.

First time out, there’s no critter hissing about ‘getting it right’. There’s only grace dancing with me in the playing field of creativity.

Second time. It’s a different story.

Somewhere buried deep within my little reptile brain that sits at the base of my skull, the voice of fear awakens and whispers, “Ain’t no room for mistakes, lady. You get it right or you gonna fall flat on your face.” As if, come the second time, there’s no room for learning and definitely no latitude for mistakes or even playfulness and joy.

Second time. I gotta ‘do it right’. supersedes my soul’s craving for being within the creative process and its beguiling flow. Which, in ego terms means there’s no room for growth. There’s only space for ‘perfection’ – and given how my ego already knows I’m going to fail anyway, hopelessness and fear shadow my every move.

Once fear awakens, looseness, ease, grace fall away as I fall into the “Get It Right” trap. Suddenly, focussing on ‘the outcome’ becomes my point of reference. “Forget about savouring the moment and being in the flow of the creative process” the critter hisses. “You gotta focus on the final product. You gotta make it look good! Or else…”

It’s the ‘or else’ that gets me every time. The critter speaks in innuendo. He never defines, the ‘or else’. He leaves that to my imagination — and when I’m listening to the critter hissing, my imagination can go to some not so pretty places!

Case in point. On the weekend, I decided to work on eight more collage pieces using the techniques of the series I worked on last week. (See – Out of the Box)

Again, I used a limited palette (four colours + white – Ivory. Yellow Oxide. Red Oxide. Payne’s Grey). I painted on pages from old books for the collage pieces and painted watercolour as the substrates for the pieces themselves. I drew and doodled and cutout and tore up the painted book pages. And then, I started to assemble the pieces.

I felt stiff. Awkward. Tense.

My head was busy with thoughts of ‘do it right’ and ‘don’t mess up’.

And then, I remembered. Oh wait! This is my second time. I’m worrying about doing it instead of breathing into the pure delight of being immersed within this creative moment.

I had to remind myself to Pause. Breathe. Get Present.

A lot.

Pause. Breathe. Get Present.

Which also brings me front and centre with my ego’s need to protect me from criticism. “Give ’em the caveat,” the critter hisses vehemently. “Tell ’em you know they’re not that good. You’re just practicing…”

Pause. Breathe. Get Present.

“It’s okay, Louise,” the voice of wisdom deep within my belly whispers gently. “It’s not about judgements or making good art. It’s about expressing yourself fearlessly and stretching your creative muscles with grace.”

In grace, self-compassion gives rise to fearless creative expression and the art is not measured by the final product. It’s found in the joy of being within the creative process, allowing, expanding, growing, learning, creating.

I created eight new collage pieces in my ‘Liminal Spaces’ series.

The critter had a lot to say about the process.

My soul slipped lovingly into silence, breathing deeply of the essence of my creative nature.

And I am reminded once again how art, like life, comes alive in all its living colours when I let go of my expectations of getting it right and breathe instead into my soul’s desire to be fully present and embodied in this moment, right now.

Namaste.

An Ode To Summer Solstice

Here in the Northern Hemisphere, the days have begun their journey back towards the darkness.

The long lazy days of summer beckon. Blossoms burst forth and grain fields grow plenty. The days begin to give up their light to the dark. Imperceptibly. Moment by moment. The lengthening of shadows begins.

On a far and distant horizon, cool days of autumn slumber, oblivious to the promised heat of summer yet to come. Beyond the promise of autumn days coruscating in the golden light of falling leaves, winter sleeps, its dreams full of frosty days and snow-covered nights sparkling under the light of a full moon rising.

And the world continues to spin.

And life continues to unfold in all its mystery, magic and wonder.

May the Solstice be with you.

______________________

Confession: The word ‘coruscate’ appeared in an article I was reading this morning.

Coruscate? Hmmm…

Curiosity slipped in. What does that mean? So did my father’s voice. “Go look it up.”

It was his way. Growing up, whenever I’d ask, “What does that mean?” he’d reply, “Go look it up.”

And so, I did.

And just as a child when he’d make me use my latest ‘coruscated’ addition to my vocabulary in a sentence, I followed my father’s voice into the mystery of discovery, and used it a sentence in my blog today.

Thanks Dad!

(And don’t tell him… but just in case you too, like me, do not know its meaning, I gave you a hint. — or you can go look it up, HERE.)

I think it might just be my favourite new word. It’s so yummy and juicy on the tongue.

It sparkles!

A Morning Meditation

A Morning Meditation (turn sound on)

Dust motes dance with the lissome grace of fairy dancers swathed in shimmering gowns of sunbeams streaming through the window. I stand in the light and open my arms, welcoming the sun in. I feel it. Warm. Against my skin. My face. My hands. My body. Effortlessly, it warms me with its grace.

I sit at my desk and watch white fluff drift lazily through the air. A delicate dance of grace floating down towards the ground. The poplar trees are casting off their spring buds. Snow falls in June.

Pink honeysuckle scents the air. The glossy green leaves of the poplars that dance above their blossoms rustle and whisper, redolent with the stories of the wind as it moves effortlessly through their branches.

The river flows past. The wind drifts through. I sit and soak up the beauty of this morning, my body embraced in the sacredness of the world around me.

Here. I am.

I breathe. Deep. Soul-nourishing breaths that ground me here, in this moment.

I imagine my toes digging into the rich soil that nourishes the grass and shrubs and flowers and trees. I imagine the soles of my feet sinking. Down. Down into the bedrock. Deep. Deep within the earth.

I keep breathing. Slowly. Deeply.

I sense myself coming to rest deep within the core of the earth. Connected. Supported. Grounded in Mother Nature. Mother Earth.

Here. I am.

The morning breaks itself open to day.

The sun casts light into infinite space.

The river flows past.

I sit at my desk. Silently embraced in the grace of morning’s awakening.

I am the temple girl carrying water from the well to wash the feet of the holy women gathered to sing the praises of Mother Earth. To dance in honour of the sun rising, the moon setting, the dawn breaking.

I am the initiate dancing in the light of dawn bathing her naked body in early morning light.

I am the priestess supine, body stretched out in supplication before the altar of Mother Earth’s beauty.

Here. I am. I whisper.

And Mother Earth wraps her being around my body and gently, lovingly pries me open. I am broken open and I weep in gratitude, joy, Love.

My heart sighs. I take a sip of morning’s glory bursting with the promise of this day. I take another and another and am filled with the wonder and awe of being here, where I am.

Here. I am. I whisper to the morning and the sun and the trees and the flowers and the birds and the river and the grass whisper back. Here. We are.

Namaste.

Always. There Is Love.

Photo by Britt Gil

I remember the first time I heard her cry. She was inside the womb. The doctor was about to cut in when he stopped momentarily so that I could hear her cry. Within. My body.

I remember hearing her sweet, precious voice.

And I remember the feeling of Love that washed over me, consumed me and never let me go.

34 years ago today, I heard my eldest daughter, Alexis, cry for the first time. Over the years, there would be many more tears and much more laughter and giggles and lilting songs and poetry read fierce. Sometimes there would be angry words and sometimes, gentle words and sometimes curious words and always. There was Love.

Alexis age 2

No matter the times. The words. The thoughts and feelings. Always. There was Love.

It is her trademark. To love fiercely. In light and darkness. To care deeply. In joy and sorrow. To speak truth. In courage and in fear.

Alexis is a truth-sayer. If you follow her posts on Instagram, you will hear the clarity and beauty of her voice as she speaks truth about the things that matter most.

Motherhood.

Family.

Friends.

Living true and fierce.

About being human. In all our complexities and challenges. In all our beauty and darkness. About dispelling myths and untruths and injustice and racism.

She has always been that way.

Speaking truth so that the light can shine brighter in the darkness of our human condition.

Speaking truth so that we can see the wonder of our humanity.

Speaking truth so that we can create better, do better, become more… human.

She is fierce. She is loving. She is loyal. She is true.

And soon, she will be the mother to her second child. A daughter.

And she will be for her daughter as she is for her son. Loving. Caring. Fierce. Loyal and true.

Processed with VSCO with a6 preset

It is her way.

It always has been. Because, no matter where Alexis goes. What she does. What she says and writes and creates. Always. There is Love.

34 years ago today, I heard her cry for the first time and in her cries, I felt my heart. Break. Open. In Love.

And still today, she continues to break my heart open in Love. Every single day of her life.

She is the gift whose beauty deepens and enriches my life through the Love she gives so generously and so completely. For always, no matter what. Where there is Alexis. Always. There is Love.

She is my daughter and I am so very, very grateful.

Happy Birthday Alexis!

Promises. Promises. Promises.

Promises. Promises. Promises. Mixed media on canvas. 40 x 40″

When my beloved arrived home from his golfgame and saw the painting I was working on, he asked, “What kind of flowers are those?”

“I think they’re daisies,” I replied.

“Oh,” he said. “To me they look like dandelion puffs about to take flight.

It’s all in our perspective.

The original painting. Getting ready to pry off the letters.

The painting above is painted on top of an old painting that used to hang in our living room. Originally, it was reds and darks and golds. A many-layered thing, a reflection of the word that formed my intention for that year (2014) encompassed in the words I’d affixed to it – “At Onement”.

On Monday, I sliced and peeled off the letters. Sanded down what remained and then painted over the original to create a background of yellows and greens.

Yesterday, I dove in.

The outcome is not at all what I had envisioned. Yet, in the end, it doesn’t matter. The outcome pleases me.

The title, however, surprises me. Promises. Promises. Promises.

Where did that come from?

And memory immediately opens me up to thoughts of the past.

I remember as a child not trusting my father’s promises. He’d say we were going to do something. Go somewhere. And his promises seldom came to be.

I know now, my father never meant to make promises and then break them. He was mostly only repeating behaviours he’d learned when he was a young boy and struggling to make sense of a chaotic world. When he was nine, his parents divorced and shipped him off from London, England to boarding school in the wilds of the Saskatchewan prairies. A long and lonely journey for a 9-year-old boy to take on his own.

I don’t know what messages my father took as his ‘truth’ when all of that transpired. I do know that the disappointments and broken promises of his young life carried through into his adulthood.

He had a temper he often expressed with angry words and he made promises he seldom kept.

I loved him anyway. Because, in spite of, or perhaps because of, his flaws, he was very, very human. And I knew, no matter what, he loved me. He just struggled to express Love through all the layers of pain and regret and anger that clouded his vision of the world.

Which is why the title of this painting makes sense.

Work in progress… I want to quit.

As I worked on it, I had many moments where I thought… ‘this is going nowhere’… ‘Ugh. Quit now while you’re ahead.’ ‘What on earth were you thinking?’ ‘Give it up. You’re not an artist.’

Despite the critter chatter messing with my head, I kept going.

My father taught me that. Do not give up. “I promise you,” he’d say. “There is a pot of gold at the end of the rainbow. Never stop looking. Never stop believing. And even if you never find the pot of gold, look at all the beauty you’ll discover along the way.”

My father may have messed up on keeping his promises, but he never messed up on seeing beauty in this world. And he always believed in our humanity. No matter who you were. Your story. Faith. Colour. Title. He always accepted human beings as just that. Human beings. Beautiful. Magnificent. Flawed and Flawless.

He saw the magnificence of our humanity and he always promised a pot of gold at the end of the rainbow.

I didn’t find a pot of gold as I painted yesterday. I did find joy. Peace. Contentment and the beauty of being immersed in the creative process.

And in that richness, a promise my father made me long ago came true.

“If you do what you love with all your heart, I promise you, you’ll be richer for the experience.”

He was right.

Namaste