Kiri’s Piano — No. 78 #shepersisted

I didn’t intend on painting a #ShePersisted woman yesterday when I walked into my studio. In fact, I had gone into the studio with the intent to tidy up and get some things ready for a course I’m taking on Saturday.

And then… the muse whispered… and I heeded her call… and #78 in the #ShePersisted Series was born.

Last evening, when I showed her to C.C., he commented that he really likes how I do eyes.

I laughed. I do not think I do eyes well at all. In fact, I struggle the most with the eyes. I painted over No. 78’s twice (and am still not happy) I told him.

“I feel like eyes are the mirror of my life,” I told him. “I struggle to get them right and with every struggle, I improve just a little bit and sometimes, to make it easier on myself, I paint them closed and then figure out how that ‘fits’ with the story. Like in life, I work at doing better, at righting wrongs and then some days, I just want to close my eyes and ears and heart and pretend I don’t see the wrongs and there’s nothing I can do.”

And I went on about the struggle and commitment and all that jazz until I ran out of steam. Gently and succinctly, he replied, “I think you’re amazing.”

Gotta love a man who listens and then doesn’t try to fix or argue you into ‘seeing the bigger picture’ or some other perspective. He just listens and when you’ve had your say, he simply affirms you.

And that is the genesis of No. 78.

In everything I’ve read about racism, cultural genocide and other forms of human eradication and ‘othering’ of our differences (I’d like to call them ‘our uniqueness’s’ but as a humankind, we are not there yet) by a dominant culture which also has historically believed it is superior because of the whiteness of its skin and its God, getting out of the way is critical to change.

Giving way, stepping aside, giving up centre stage, letting go of trying to ‘handle’ change for someone else or in ways that make it easier for us to stomach is essential for those who have been racialized and marginalized and subjected to cultural traumas about which, because we who have not experienced them in their skin/faith/shoes, can not truly understand nor comprehend. The deep historical and present impacts of their trauma can only be healed from within both their body of culture and their bodies. Not by ‘us’ telling them what to do, or how to do it or leading the way.

We do not have the answers for another.

We can create space for ‘the other’ to create a path that is reflective and supportive of what they have identified as their needs, their way, their right to make change happen and to lead their own way. And the only way we can do that is to get out of the way, step back, move aside, give way and give space for voices of cultural experience to be heard.

The impetus for No. 78 came from an article I was listening to on the radio about the rise of violence and racism in Canada against people who can be easily identified as of Asian descent. I am both confounded and saddened.

And in my confusion and sadness, I turn to the canvas. To the page. To nature to walk myself through my thoughts and feelings to understanding, harmony, acceptance, compassion, balance.

I’m not there yet.

No. 78 is just one step on a long journey. With each step I learn something more, I expand my compassion, my understanding, my sense of hope that one day we will quit repeating history – at least the bad parts.

And, as I take each step, I remember back to a song by James Keelaghan that speaks so eloquently and compellingly to me. I met James many years ago when he volunteered to perform at a concert I was producing as a fund raiser to support an organization working with street engaged teens. His heart and compassion are big. So is his story-telling.

Ever since meeting James and hearing his music, I always play his My Skies CD as I travel down off the summit of the Coquahalla Pass towards Hope. On that CD is a song that reminds me always that when we target one group we are ripping apart our own hearts and shredding our own humanity.

Below is James Keelaghan performing Kiri’s Piano. The second video is his story about writing and performing that song – it’s well worth the listen.

And I come full circle to Pete Seeger’s “Where Have All the Flowers Gone?” and its powerful question… “When will we ever learn?”

Exposed

Yesterday, I followed through on my commitment to work on Steps 9 and 10 of my 20 Attitudes and Actions to help you live the life of your dreams.

It worked.

Once I’d printed out the two lists, I had to laugh at myself.

The ‘I can’t list’ – pretty well all lives in my head. The blocks and hurdles imaginary things I tell myself which, through repetition or simply remaining unchallenged, have become limiting beliefs that do not serve me well. And definitely don’t do much towards helping me live the life of my dreams!

And isn’t that what we all want? To live a life where we feel inspired, passionate, engaged. A life that reflects our desires, whatever they are, for love, friendship, comfort, and yes, success.

I realized as I was working on my Can’t and Can lists that defining what ‘success’ looks like to me at this certain age of my life is different than what it looked like at 30, 40, 50. I haven’t spent as much time considering the question, “What does a ‘successful’ life look like to me now that I’m no longer ‘out there in the workforce’ but here, spending time writing, painting, creating. Am I creating ‘things’ or am I creating a life worth living?”

It was a great question to carry with me as I wandered the forest and trails of the park Beaumont the Sheepadoodle and I walk in every morning.

I walked through the forest along the river and looked up into the naked branches of the trees, listened to the birds, a woodpecker hammering, chickadees calling and the wind. Always the wind.

I stopped and took photos. Noticed broken bark and branches. Touched crenellated trunks and scarred limbs.  And was reminded of how life is often a journey that leaves us scarred and scared but also beautifully weathered, worn and wise.

When I came home, I played Rod Stewart’s hit, Scarred and Scared. Stewart was one of my dad’s and my brother’s favourites way back when.  Before they left this world a year a half apart. Before we had to learn how to fill in the spaces of their missing with memories and stories of their lives interwoven with ours. In the past. Always in the past.

And then… the poem below wrote itself out as I meditated on life and the joy of my many circles. From art circle creatrixes to writing circle poetresses and family circles and friendship rings and everyone in between. We have all weathered life through days and months and years, words and poetry and actions and colours splashed against the tapestries of our lives coming into full bloom and then, softly, lovingly, gently beginning to fade.

I do not know about ‘the fading years’, as I heard the latter years of life called once. I love the visual imagery of it. The softness and gentleness.

But I don’t know if I want to fade or go out in a great big burst of colour!

And that’s the beauty of life. I don’t have to know. I simply have to live. Every moment. Every colour. Every word and action, every sight and sound the way I want to live them. Now. Fully. Completely. Wholly. In this moment.

Until there are no more moments, no more sights or sounds or even breaths to live.

Perhaps it was the melancholy of the trees, the quiet of the forest, the reading through a course I created several years ago and spent a good part of the day updating that pulled me into the lure of time. Its gathering. Its weaving. It’s meandering course through life. Its unravelling. It’s gathering. It’s weaving….

Whatever the impetus, I am grateful.

________________

NOTE: The course I created and updated is called, “Right Your Heart Out”. It is currently available for free download on my website – I would be incredibly appreciative if you took it for a test run and gave me what feedback you can — feedback is the only way to make it better!

To learn more about this 21 day/lesson course click here – Right Your Heart Out

To dive in without learning more, to just ‘go for it’ click HERE for immediate download.

And… working on updating this course was my diving into Step 12 of the 20 Attitudes and Actions.

Here’s the deal – a marker on my path is having someone download the course… Don’t you want to be a marker of my path forward? I get to surprise myself with a reward if you are! 🙂

The Song of Your Heart is Always Brave

Spread 6 – left hand page – Listen to Your Heart – The song of your heart is always brave.

Have you ever noticed how, when fear awakens, so do the voices in your head?

That’s my experience. As I get closer to doing something I’ve been avoiding or putting off, or doing something that’s new and/or different or requires me to step outside my comfort zone, or at least the lizard brain’s comfort zone, the cacophony of sound emanating from the dark recesses of my grey matter get louder and louder.

Intoxicated with the lizard brain’s negative feedback, I begin to tell myself it’s right. I shouldn’t… – Do whatever it is I’m attempting. Step outside my comfort zone. Talk to someone I think could really give me guidance on a project [as in, ask for help]. Submit my work to a magazine. Create that Art Journalling 101 course…

Working in my “Learning to Fly” art journal has been an awakening and an inspiration to keep on going, keep on digging in, keep on stepping out, reaching beyond my comfort zone, looking at all the things (lies) I tell myself I risk losing if I do… x, y, z.

it’s also been a great wake-up call.

As in, the only thinking that’s stinking around here is mine!

And I smile as I type that. I might sound like I’m being hard on myself – it’s actually a loving form of tough love – I’m being real and honest with my fears — as I wrote on Spread No. 6 of the journal – “Fear is the voice of doubt and confusion that would have you believe you don’t deserve to live your dreams.”

I also think I’m suffering from Covid-brain Weary Syndrome.

You know, the falling into lazy patterns of thinking without even realizing I’ve been doing it.

No one can deny, this has been a long year. And there is still more to come before we can step out of our front doors and into the world without fearing this invisible microbe’s attack. As the world has hunkered down, so too have I in some ways.

Oh, don’t get me wrong. I’ve been very creative and given birth to lots of creative expressions. The challenge is, I’ve not done much with my body of work. I’ve just kind of floated from project to project like a sleep-walker drifting through the silence of the night.

To wake myself up I have to get out of my feelings and into my body, my whole body, where I know, beyond doubt deep, deep within my entire being, that I am more powerful than I could ever imagine, more creative than I could ever express and more fearless than I could ever envision.

We all are.

More than we imagine.

Think about it. Our imaginings take place in our minds. Our minds are constructs of our habitual thoughts.

If our thoughts are limiting, so too will be our expressions of ourselves.

Living under the thrall of Covid has limited all our lives in so many ways, it makes sense that some of our thoughts could evolve into more limiting than freeing.

Which is also why birds appear throughout my Learning to Fly journal.

I don’t know where they’re leading, I don’t know where this journal is going (it’s all part of the adventure) what I do know is… if I do nothing, nothing will happen other than what already is. I must follow the flight of the birds where ever they lead. They carry my dreams.

To pursue my vision of creating inspiring and compelling work that ignites the creativity and passion in others, I must pursue pathways to getting my work out there.

And so… the adventure continues.

Going back to my 20 Attitudes and Actions to live the life of my dreams, today I commit to working on No.s 9 and 10.

What about you? What do you commit to doing today to move you one step closer to a dream you want to transform into your reality?

I hope you share your thoughts. I’d love to be your accountability buddy!

_________________

No. 6 – Attitudes and Actions — “Don’t let fear muddle-up your thinking. Even when you think you can’t, tell yourself you can. – Listen to your heart.”

Learning to Fly – Attitudes and Actions

Yesterday, I promised to share my 20 Attitudes and Actions to help you make your dreams come true.

What I’m discovering as I keep working in my Learning to Fly art journal is that the Attitudes and Actions are fluid things — there’s no given order to doing them, though some are best to do early in the game — like No.s 19 & 20.

I’ve already planted my seed — parsley. It’s in a pot in which I’ve been nursing a bunch of Basil throughout the winter. I love the symbolism of nursing a difficult to grow (in this clime) indoors plant, like Basil, which I’ve kept alive now since last summer with the new growth intermingled.

Doing my “Acceptance Speech” is something I learned from my eldest daughter when she was a little girl and continually practiced her Academy Award’s speech. Gratitude was at the top of her list when accepting her award.

An attitude of gratitude is vital. Along with courage it underpins everything. Employ it often. Feed it love and appreciation. Live it daily.

_______________________

I worked on the next spread in my journal yesterday — after my vaccination! I was soooo excited about getting my vaccination I got there two hours early (I had written the time down wrong when I’d phoned to make our appointments.) Fortunately, they didn’t insist I go home and come back — and C.C. could use my appointment which was earlier than his! So much gratitude! For the pharmacists and everyone at the pharmacy organizing and administering the vaccines. The researchers and scientists developing the vaccines. The manufacturers and government ensuring we have access to such life-giving/life-saving elements. The people all around me who are following the guidelines and taking good care of themselves and all of us with every action they take to curb the spread.

My worktable

When I got home, I went into the study to tidy it up — it can get real messy when I’m immersed in a project – and instead of tidying up, I fell into the muse’s embrace and created.

“Even birds must step out on a limb to test their wings. Go out on a limb and test your dreams.”

Learning to fly

Learning to Fly

I love heights. I know. I know. There are many who don’t. But I do.

I love to stand high above looking out and over the world. Buildings. Mountains. Even on the bridge looking into the river below. The higher. The better.

And here’s the deal. My challenge is, when I am standing on high, I truly believe I can fly. That I can just open my arms wide, release myself to gravity’s thrall and leap.

It’s not that I believe I have wings waiting to unfurl, it’s more a feeling that somehow, through alchemy and magic, my body will be transformed into a beautiful, light as air, ‘thing’ of majestic, airborne wonder.

I didn’t say it made sense. I only said I believe it’s true.

I have not tested my premise. Ever.

Though I have been tempted.

When I used to climb mountains it was always my challenge – to stay grounded at the edge of the peak and not let go and leap. Though there was one time on a descent that began with a 2ft wide ridge walk with a 3,000 ft drop straight down on one side and about a 1,000-foot drop on the other. That day, about halfway to the point where we would be rappelling down the mountainside, I wished there was a helicopter that would come and pick me up so I wouldn’t have to leap a one-foot gap in the rock and land four feet below.

Fear made me forget I could fly or even jump as if it was a gap in the sidewalk. I had to let go of my fear

Which is the impetus for the art journal I’m creating, Learning to Fly.

In life, flying is not about heights or wings. It’s about overcoming fears that keep us tethered to our comfort zones, to dreamless-sleep-walking through our days and spiritless wanderings through time, feeding ourselves on inertia.

I have some big dreams. Had them for awhile. And still, I hesitate. I act on them. One tentative step at a time. And then, I hesitate. Holding back. Jerking forward.

No one is holding me back. Except me.

So…. I decided to focus on the things I can do, need to do, must do to unfurl my dreams.

The “Learning to Fly” art journal is my Declaration of Independence. My Magna Carta. My Holy Grail of Getting Sh*t Done.

So…. here we go….

_______________________

About the Journal:

Using various papers from watercolour to mixed media to newsprint and scraps from junk mail, I gessoed and painted backgrounds to create a 40-page journal with cover. I then bound it all together into a book. (Below is a 19 second flip through of the painted and bound journal before I painted the cover and the first 4 spreads)

As well, I’ve created a list of 20 ‘actions and attitudes’ on the theme of “Learning to Fly”. For each one, I’m writing a one-line quote and using that action or attitude as the inspiration for the spread.

Over the past few days, I painted the cover (birds in a tree in gold), the title page and worked on the first 4 spreads:

  1. Take the longview. Even a bird needs time to grow into its wings.
  2. It’s a long and winding road. Every step makes a difference. Keep going.
  3. Wherever you grow, let your heart grow wild and free.
  4. Wherever you go, go with all your heart.

Colour me excited, but I feel the energy flowing, I feel my heart pounding as I work on this journal.

And, as I step through each of the 20 Action and Attitude steps I’ve created, I feel myself expanding my wings.

I won’t be jumping off mountain tops but I will be diving into making dreams come true and soaring on the wings of creative expression!

I hope you join me on the journey — I’ll be sharing my 20 Actions and Attitudes tomororw.

Today… I’ve got a dream come true to fulfill. C.C. and I are getting our first vaccinations. I’m trying not to make it a ‘big deal’.

But… it is! 🙂

Counting Stars (a story)

Counting Stars      
A whimsical tale by Louise Gallagher 

Once upon a time there was a little boy who dreamt of one day flying amongst the stars.

Every night he would climb out his bedroom window and crawl up onto the roof of the house he shared with his mother and father in a small town where it was said, “coal mining was the destiny written on the stars of all how lived there”.

While the world slept below him, the little boy would lie on his back and gaze up into the nighttime sky, counting all the stars and memorizing their positions. His dreams were filled with thoughts of leaving the coal dust behind and one day flying to the moon, of soaring amongst the celestial beauty above.

One night, his mother came to his room and found him missing from his bed. Not knowing he was on the roof, she became frantic. She screamed and called out for her husband. They looked all over the house and in the yard and couldn’t find their son.

They called the police. They called their neighbours. A search party was organized.

Meanwhile, the little boy lay on the roof, lost in wonder, gazing at the stars above. He didn’t hear their frantic calls. Didn’t know that they were searching for him. He knew only that he was safe amongst the wonder of the nighttime sky dreaming of one day building a spaceship and flying beyond his wildest imaginings of life here on earth into the vastness of the universe.

As he always did after an hour of counting stars, the little boy climbed quietly back down from the roof into his bedroom. But this night, he found his mother sitting on his bed, clutching his teddy bear.

Tears streamed down her face. Her body shook with sobs.

The little boy saw his mother and did not understand why she was crying. He ran to her, touched her arm and asked, “Mummy, what’s wrong?”

The mother, stunned to hear her son’s voice, opened her eyes and saw him standing before her. Relief washed over her. He was safe. She grabbed him and clung to him tightly. As she held him in her arms, she called out to her husband who was downstairs talking to the police. “He’s here. He’s here!” she cried out.

Everyone raced up the stairs. The little boy heard the pounding of their footsteps, felt the tremor of the floor as they entered the room.

His father burst through the door first, strode over to him and angrily demanded, “Where were you? Don’t you know you frightened your mother to death?”

The little boy was confused. Who were all these people? Why were the police there? Why were they all standing in front of him, arms crossed against their chests?

In a tiny voice he replied, “I was on the roof.” He hesitated and then whispered tentatively. “Counting stars.”

His father was angry. “You’re a bad boy,” he yelled. “How dare you cause such terror in our hearts. You will never go on the roof again.”

The little boy stood his ground. “I’m going to be an astronaut. I’m going to fly amongst the stars.”

The father shouted back. “Quit your foolish dreaming. You can’t eat stardust. You will be a coal miner, just like me. Just like my father before me.”

And so, a dream was lost. The father put bars on the boy’s window. The boy put his dream of one day being an astronaut away.

Years passed. The little boy became a man. He worked in the coalmine. Just like his father. He had a wife. A little cottage and a family of his own. A son and a daughter.

Like his father, he was stern. Distant. Uncompromising. Like his father, he loved his wife and children but never told them. When asked if he had dreams, he would reply, “Dreaming doesn’t put food on the table. Dreams are as impossible as flying amongst the stars. You can’t eat stardust.”

They were happy, in a strict kind of way. There was food on the table, clothes on their backs and a roof over their heads. No one spoke of love. No one spoke of the stars above or their dreams. No one dared dream. Dreams, like stardust, don’t feed hungry bellies.

One night, the father walked past his son’s room on his way to bed. Out of the corner of his eye, through the open door, he saw the tiny figure of his son about to step out the bedroom window. Fearful that his son might be hurt, he raced across the room and grabbed his son just as he was about to slip over the sill and onto the roof.

“What are you doing?” he bellowed as he pulled his son back into the safety of the room.

The little boy, not used to being held in his father’s arms, burrowed into his chest, snuggled his head against his shoulder and whispered, “Counting stars.”

The father stood still. He felt his son’s heart beating against his chest. Felt the softness of his arms around his neck. With his son in his arms, he looked out the bedroom window to the darkness of night. Stars glittered in the sky above. The world slept below.

“Counting stars.” he whispered. And then he repeated it. “Counting stars.”

The little boy nodded his head. “I do it every night,” he said proudly. “One day I’m going to be an astronaut. I’m going to build a spaceship and fly to the moon!”

“No you’re not,” the father began and stopped. As he reached out to close the window, he caught a glimpse of himself holding his son in the reflection of the glass. His eyes misted up at the sight of the tiny figure held in his massive arms.

As his father held him close to the open window, the boy squirmed in his arms and leaned his body out the window and pointed up towards the star-studded sky. “Look dad!” he exclaimed. “A comet.”

The father looked up into the stars above as a streak of light soared across the ink black sky. He closed his eyes and took a breath. When he opened them, he looked down into his son’s eyes and saw the starry wonder of his dream reflected back at him.

His heart softened. He smiled. And pushed the window open. “I don’t want you to get hurt son. It’s okay to go on the roof at night as long as you promise to take me with you.”

The boy’s blue eyes opened wide. “Really?” he asked in a tiny whisper. “You’ll go with me?”

Holding his son safely in his arms, the father stepped through the window onto the roof.

“When I was a little boy, I used to climb out my bedroom window so I could count stars,” he said. He looked up into the night sky. “I forgot how many stars there are,” he whispered clutching his son tightly in his arms. “Can you tell me how many you’ve counted?”

The boy pointed up and started to count. “Two thousand and twenty-three. Two thousand and twenty-four. Two….” and his father’s voice joined in. “thousand and twenty-five…”

Together, father and son lay on their backs on the roof gazing up at the blanket of night spread out above them.

And the stars shone brighter than they had ever shone before.

_______________________________

Mark, of Musings and Other Writings, and a frequent commenter here on my blog (not to mention the person who inspired me to start blogging way back in March 2007) is celebrating the first day of his 19th year of continuous, daily blogging today.

In responding to his post this morning, I went back to my first blog, Recover Your Joy, to see what day in 2007 I’d actually begun. (It was March 10, which means I’m in my 14th year of being ‘a blogger’). As I was scrolling through the 1,677 posts, I came across a story I wrote around this time in 2009 (March 23rd to be exact).

Last night, just before bed, C.C. and I stood outside staring up at the night sky. It was strewn with stars hanging around a crescent moon. And then, this morning, as I was scrolling through the 1,677 posts, I came across a story I wrote around this time in 2009 (March 23rd to be exact) about a little boy who counted stars who became a man who had forgotten how, until his little son taught him.

It seemed like a sign… so I’m sharing it here today.

Have a beautiful, grace-filled weekend, and I hope you take time to count stars. I know I will.

These are the moments – #ShePersisted – No 77

There are moments when the mundane feels so heavy, the woes so full of dark clouds gathering and the worries so close in, that I forget I have room to breathe. To move. To do. To be. To change.

In those close-in to the darkness moments, it’s easy to forget that I am part of something bigger than just these woes and worries illuminating my flaws with their 1,000 watt klieg-worthy glaring light. Or their words spewing out from TV newscasters mouths or plumping up Twitter threads full of bile or just cluttering up my day with their insistence I pay attention to all that is wrong with me and the world today. 

In those moments of forgetting all the room around me for other things to take up the space of woe and worry, I will tell myself, there’s nothing I can do. I am too flawed. Too tired. Too lost to change anything.

It is in those moments I must remind myself that I can breathe. Not just your everyday, ordinary take a gulp of air and keep on going kind of breath, but a deep, sinking into my toes, filling me from the bottoms up kind of breath that soothes and replenishes, nurtures and reminds me to Stop-Breathe-Listen-See-Feel-Be-Here-Now-I am the Breath of Life – kind of breath.

In that breath where I find myself breathing in the exquisite beauty of all there is Here-Now -in that breath empty of the flotsam of life swimming around in a sea of news and forgettable TV shows I watch only because I’ve forgotten I’m part of something so much bigger, so much greater, so much more mysterious, magical and mystical than this everyday life I tell myself is my burden I gotta keep trudging through, on and on and on, I am reminded – life is a gift. A beautiful, exquisite, priceless gift. Mysterious, magical, mystical, 4th of July fireworks exploding, rollercoaster-fast heart-pounding fierce, breathless kind of gift wrapped up in the miracle of life.

In that breath I am reminded, I Am Alive.

What a beautiful gift. To be alive. To be. Here. Now.

These are the moments to savour.

These are the moments to remember. To grab onto and never let go. To remind myself, I have power over me. I have power in me. I have power. To change. To get accountable. To not be ‘my flaws’ but to see my flaws as part of my beautiful, exquisite human magnificence.

And in those moments I get to choose.

To make excuses for how I am or celebrate who I am, right now, in all my human contradictions, complexities, curves and straight lines adding up to one amazing being who has the power to stand up, speak up, and take action to create change that matters. Change that could just save my own life from being my excuse for not living it truly, madly, deeply in love with all I am and all I do and all I have in this moment, right now.

These are the moments to live. Always.

And to remember to Breathe.

Breathe it all in

and Begin Again.

Breath by life-giving breath to stop making excuses for myself and start living fully accountable for this life that is so precious, so divinely orchestrated, so…. mine.

Breaking Rules

The day she discovered her wings is the day her dreams took flight. 11 x 14″ mixed media on canvas board

There is a painting hanging in our bedroom that I created several years ago, in our old home, in my old studio.

And still, it speaks to me.

Of breaking free. Breaking out. Breaking up the constraints I arbitrarily place on myself about what makes good art, good poetry, good writing.

Things like, ‘The Rule of Thirds”. Never use black. Always use a good reference to paint from. The rule of ‘don’t end a sentence with a preposition’. Don’t begin a sentence with ‘because’, ‘and’, ‘but’.

They are just rules.

And rules are made to be broken. Right?

Yesterday, as I walked along the river with Beaumont the Sheepadoodle and felt the warm ‘it’s almost spring’ sunshine on my face and watched chunks of ice float down the river and listened to birds twittering in the trees as Beau chased after the ball and I navigated the almost clear of ice pathway, my mind was full of thoughts of the painting I was working on and its message that was not yet clear.

And suddenly, like the sun breaking through a cloud, a thought skipped into view and landed with a resounding plop on my heart. “The day she discovered her wings is the day her dreams took flight.”

Yes! That’s what the painting’s about, my happy heart sang as it did a dance of gratitude for the muse’s tending of my creative expression.

When I returned to my studio and put the final touches on the painting, I wrote the quote along the lefthand side.

Done.

And the muse kept dancing.

After dinner, I finished tidying up my studio, came back upstairs, chatted with my beloved for awhile and took my journal and self to bed.

And the muse kept dancing.

The painting may have been ‘done’ but its creative expression wasn’t.

There’s no rule about writing a poem to go with a painting? Right?

Oh well. If there is, I’ve broken it more times than I can count! I like that breaking of rules.

She Was Born To Fly
by Louise Gallagher

She wandered through her days
like a leaf tossed by the wind
aimless, directionless, weightless
her heart aching
and her feet leaden
tethered 
to some invisible thread
of memory
caught
in the veil
of yesterdays
lying 
in the darkness
of believing
she did not know
how to fly.

It’s not true.
You are born to fly,
a voice deep within
whispered
in those moments
when her attention
grew weary
of the world beyond
the pale
of all she could not see
in the here and now
leaving her exposed
to the exquisite mystery
of her life.

She didn’t believe it
the idea of flight seemed too
impossible
the mystery too deep.
She had feet,
not wings
she whispered back,
closing the door on chance
as she turned back into certainty.

But then, one day when
she least expected it
she felt the urging
to stretch 
beyond the realm
of her imagination
and on that day
she discovered
her wings
hiding 
beneath the layers of life
hammering at her
to stay tethered
to threads of memory
keeping her tied
to life’s heavy toll.

It was that day
she discovered she was born
to fly
and her dreams 
were too.

He Gave Her Words

He Gave Her Words – mixed media on canvas paper 9 x 12″

Yesterday, when I stepped into the sheltering welcome of my studio, the muse whispered a tantalizing thought “He gave her words.”

Curious, I followed her lead.

I tore a page from an old book I keep on hand for just such occasions. I pulled out my GelliPad (a rubbery mat used for mono printing) and laid some colour down. Using the round end of a paintbrush, I drew a vase and flowers, laid the book page down and pulled a print.

The words on the page showed through. Cool. I kept going.

Pulled out a piece of deli paper, laid some more paint down (mostly darks), made more marks and pulled another print.

On the canvas paper page of my art journal, I collaged strips of paper from an old dictionary onto the page. The words defined on the torn strips all had to do with flowers. I collaged the deli paper printed page and then the printed book page onto the background and set to work creating a cohesiveness to the piece with paint pens, markers and fingerpainting – I had decided, somewhere in the process, that I wouldn’t use any brushes on this page. So I didn’t.

When I was finished, I placed my hands on the page, took a breath, closed my eyes and asked, “What words do you yearn to release?”

And the poem below came into being.

I am sharing my ‘process’ because it is, in so many ways, a reflection of life. We start with a desire to live life as best we can. We set goals. Follow dreams. Discover and use our talents. We gain knowledge. Expertise. Experiences. We layer on wounds. Scars. Cracks. They form the stories we tell ourselves about why or how we can or can’t do something. Those stories, made up of all the words we use to tell them to ourselves, again and again, create pathways, ruts, habits. Sometimes, we question their existence. Often, we accept them as natural limitations.

And then, one day, if we’re lucky or if we’ve hit such a devastating patch we cannot fathom how we will go on, we have no other choice but to start questioning the stories we’ve told ourselves about how we got to this dark and foreboding place. In our questioning, we start to unravel the words that formed those limiting beliefs that trapped us in believing this, this place where we feel so lost and alone and hopeless, is really all there is. Isn’t there more?

And then, if we’re really, really quiet, if we’re really, really still, we hear that voice deep within calling us to awaken. To open our eyes and heart and arms to the infinite mystery of who we are when we stop questioning our right to live wild and free and outrageously ourselves.

That’s when we begin the journey back to our truth. To the stories we tell ourselves, not of our limitations but of our limitless capacity to live wild and free and outrageously ourselves.

Yesterday, I stepped into the studio and the muse whispered, “He gave her words.”

I did not question, “What does that mean?”

I did not ask myself, “How on earth am I going to create something around ‘that’.”

Instead, I dove in. I let my intuition, my inner knowing guide me, unquestioning, into the creative expression of the muse’s invitation. I allowed ‘whatever yearns to appear’ to appear as I expressed myself without limiting my expression of my intuition by listening to all I tell myself I know about words and making sense of them or art and all I know about making it happen.

I stepped into the studio yesterday. I let go of ‘knowing’ and allowed myself to be present to the process of unveiling the mystery of what was seeking to be revealed.

And in the end, isn’t that what life is? A journey of exploration? A great mystery to be revealed with every step we take in its unfolding? Wild and free and outrageously ourselves.

He Gave Her Words
by Louise Gallagher

He gave her words
ripe and plump
full 
of plundered promises
plucked
from the strings
of memory
playing a melody
he vowed would never die
with the turning of each season.

He gave her flowers
colourful and bright
full
of tomorrows
never-ending
cast upon indolent days
spent languishing
beneath a summer sun
burning
hot against her skin.

He gave her promises
vanishing
like flowers 
wilting
beneath autumn’s kisses
bleeding colours 
dry
fallen
upon the frozen ground
of winter’s ice-cold breath.

He gave her words.
She gave her heart.

His words faded.
Plucked dry.

Her heart beats.
Fierce and free
of his words.

What Tears May Come

“What Tears May Come” – mixed media on canvas paper – 11 x 14″

“Sometimes, the only way to experience the journey fully

is to learn what the journey has to teach you.”

Lately, I feel like I’ve been swimming in a sea of Hope. Angst. Curiosity. Confusion. Sorrow… An alphabet soup of emotions that flow full of these times when my beloved and I wait to receive our first vaccination in 10 days mixed with the wonderment of what that could mean… How will things change? Will they change? Will I be different? Will the world feel safe?

I have learned a lot, grown a lot, experienced a lot throughout this past year of sequestered solitude. All of it is, as Ram Dass called it, “grist for the mill”.

Over the past two days, awash in that sea of alphabet emotions, I worked on the painting above. I had actually started it many months ago and set it aside – or at least the background part which had a heart on it which I really liked but wasn’t sure if I wanted to do more with it.

The background was in a pile I keep for those moments when I want to explore but have no clear starting point or idea of what I want to do. When I pulled it out, I set it beside an alcohol ink background that was waiting to be cut up and made into bookmarks.

“Ha! Why not sew flowers on the alcohol ink background, cut them up and collage them onto the other background?” a voice inside whispered. I’m not sure if it was the muse or the critter testing my resolve to let go of thinking some pieces I’d created were ‘precious’ or the inner voice of wisdom urging me to just be present in the process.

And then the voice said, “And while you’re at it, why not cut the heart out of the original background so you can affix it over the flowers?”

Whoever it was, I decided to heed them. I cut out the heart (Ouch. That was not easy!) I pulled out my sewing machine and got to work sewing flower shapes onto the Yupo paper (it’s a synthetic paper used with alcohol inks).

I liked the look of the flowers and began affixing them to the background with a gel medium.

And that’s when the yucky-messy ‘oh no what have I done’ happened.

See. Alcohol ink is not permanent unless you spray it with a fixative. I hadn’t done that. Suddenly the colours and patterns I’d liked so much began to bleed and blend and fade and mix and just get kind of all yucky. Okay. A lot yucky.

I wanted to throw the whole thing out but I’m also very stubborn.

So I kept digging in.

Two days later the piece is a testament to so much of what the past year has taught me.

Stay present in the process. Be here now. Be patient. Be curious. Be persistent. Let go of expectations. Let go of perfection. Don’t give up. Dive in. Keep going.

Teachings from the studio during a global pandemic

And then….

When I opened my laptop to work on the quote, I also stumbled across a poem I’d started awhile ago that I’d set aside. (Does anyone else have umpteen WORD documents left opened on their computer? Hmmm… I do and it’s always a lovely surprise to discover what I’ve started and not finished – okay so maybe ‘lovely’ isn’t the word but I’m going with it)

Anyway, I wrote the quote onto the painting and then started working on the poem that also represents so much of what this past year has taught me.

Don’t give up.

Dive in.

Keep going.

What Tears May Come
©2021 Louise Gallagher

There are moments when
the tears I fear
to shed
wallow in the spaces
behind all that I cannot see
in the world beyond my front door
as I sit feeling
trapped
inside
eyes closed
to hold back
the tears
I dare not release
for fear they will flow like the river
never ending.

In those moments
I must swallow
hard
the lump
of fear
jammed up against
the worry
pounding at the roots
of my angst
squaring off
against
thoughts threatening
to riot
amidst the litany
of all that has happened
all that has gone on
all that is lost and discarded
and missing
in these days
of being cut off
from the way things were
before,
before the pandemic
rolled in
and declared its presence
known
on the other side
of front doors
slammed shut
against its entry.

In those moments
I must remind myself
that one year is but a moment
in time’s great expanse
spanning all of life
with its threads of wonder
and awe and beauty
unfolding
whether I sit behind
closed doors
or walk the forest paths
alone
along the river
waiting for the time
when it is safe
to open the front door
and let go of fear.

Perhaps, as the river flows
and the seasons change
and this tiny microbe loses
its power over hearts
and lungs
my tears will flow free
falling
without fear
of never ending.