There are moments when the mundane feels so heavy, the woes so full of dark clouds gathering and the worries so close in, that I forget I have room to breathe. To move. To do. To be. To change.
In those close-in to the darkness moments, it’s easy to forget that I am part of something bigger than just these woes and worries illuminating my flaws with their 1,000 watt klieg-worthy glaring light. Or their words spewing out from TV newscasters mouths or plumping up Twitter threads full of bile or just cluttering up my day with their insistence I pay attention to all that is wrong with me and the world today.
In those moments of forgetting all the room around me for other things to take up the space of woe and worry, I will tell myself, there’s nothing I can do. I am too flawed. Too tired. Too lost to change anything.
It is in those moments I must remind myself that I can breathe. Not just your everyday, ordinary take a gulp of air and keep on going kind of breath, but a deep, sinking into my toes, filling me from the bottoms up kind of breath that soothes and replenishes, nurtures and reminds me to Stop-Breathe-Listen-See-Feel-Be-Here-Now-I am the Breath of Life – kind of breath.
In that breath where I find myself breathing in the exquisite beauty of all there is Here-Now -in that breath empty of the flotsam of life swimming around in a sea of news and forgettable TV shows I watch only because I’ve forgotten I’m part of something so much bigger, so much greater, so much more mysterious, magical and mystical than this everyday life I tell myself is my burden I gotta keep trudging through, on and on and on, I am reminded – life is a gift. A beautiful, exquisite, priceless gift. Mysterious, magical, mystical, 4th of July fireworks exploding, rollercoaster-fast heart-pounding fierce, breathless kind of gift wrapped up in the miracle of life.
In that breath I am reminded, I Am Alive.
What a beautiful gift. To be alive. To be. Here. Now.
These are the moments to savour.
These are the moments to remember. To grab onto and never let go. To remind myself, I have power over me. I have power in me. I have power. To change. To get accountable. To not be ‘my flaws’ but to see my flaws as part of my beautiful, exquisite human magnificence.
And in those moments I get to choose.
To make excuses for how I am or celebrate who I am, right now, in all my human contradictions, complexities, curves and straight lines adding up to one amazing being who has the power to stand up, speak up, and take action to create change that matters. Change that could just save my own life from being my excuse for not living it truly, madly, deeply in love with all I am and all I do and all I have in this moment, right now.
These are the moments to live. Always.
And to remember to Breathe.
Breathe it all in
and Begin Again.
Breath by life-giving breath to stop making excuses for myself and start living fully accountable for this life that is so precious, so divinely orchestrated, so…. mine.
The day she discovered her wings is the day her dreams took flight. 11 x 14″ mixed media on canvas board
There is a painting hanging in our bedroom that I created several years ago, in our old home, in my old studio.
And still, it speaks to me.
Of breaking free. Breaking out. Breaking up the constraints I arbitrarily place on myself about what makes good art, good poetry, good writing.
Things like, ‘The Rule of Thirds”. Never use black. Always use a good reference to paint from. The rule of ‘don’t end a sentence with a preposition’. Don’t begin a sentence with ‘because’, ‘and’, ‘but’.
They are just rules.
And rules are made to be broken. Right?
Yesterday, as I walked along the river with Beaumont the Sheepadoodle and felt the warm ‘it’s almost spring’ sunshine on my face and watched chunks of ice float down the river and listened to birds twittering in the trees as Beau chased after the ball and I navigated the almost clear of ice pathway, my mind was full of thoughts of the painting I was working on and its message that was not yet clear.
And suddenly, like the sun breaking through a cloud, a thought skipped into view and landed with a resounding plop on my heart. “The day she discovered her wings is the day her dreams took flight.”
Yes! That’s what the painting’s about, my happy heart sang as it did a dance of gratitude for the muse’s tending of my creative expression.
When I returned to my studio and put the final touches on the painting, I wrote the quote along the lefthand side.
Done.
And the muse kept dancing.
After dinner, I finished tidying up my studio, came back upstairs, chatted with my beloved for awhile and took my journal and self to bed.
And the muse kept dancing.
The painting may have been ‘done’ but its creative expression wasn’t.
There’s no rule about writing a poem to go with a painting? Right?
Oh well. If there is, I’ve broken it more times than I can count! I like that breaking of rules.
She Was Born To Fly
by Louise Gallagher
She wandered through her days
like a leaf tossed by the wind
aimless, directionless, weightless
her heart aching
and her feet leaden
tethered
to some invisible thread
of memory
caught
in the veil
of yesterdays
lying
in the darkness
of believing
she did not know
how to fly.
It’s not true.
You are born to fly,
a voice deep within
whispered
in those moments
when her attention
grew weary
of the world beyond
the pale
of all she could not see
in the here and now
leaving her exposed
to the exquisite mystery
of her life.
She didn’t believe it
the idea of flight seemed too
impossible
the mystery too deep.
She had feet,
not wings
she whispered back,
closing the door on chance
as she turned back into certainty.
But then, one day when
she least expected it
she felt the urging
to stretch
beyond the realm
of her imagination
and on that day
she discovered
her wings
hiding
beneath the layers of life
hammering at her
to stay tethered
to threads of memory
keeping her tied
to life’s heavy toll.
It was that day
she discovered she was born
to fly
and her dreams
were too.
He Gave Her Words – mixed media on canvas paper 9 x 12″
Yesterday, when I stepped into the sheltering welcome of my studio, the muse whispered a tantalizing thought “He gave her words.”
Curious, I followed her lead.
I tore a page from an old book I keep on hand for just such occasions. I pulled out my GelliPad (a rubbery mat used for mono printing) and laid some colour down. Using the round end of a paintbrush, I drew a vase and flowers, laid the book page down and pulled a print.
The words on the page showed through. Cool. I kept going.
Pulled out a piece of deli paper, laid some more paint down (mostly darks), made more marks and pulled another print.
On the canvas paper page of my art journal, I collaged strips of paper from an old dictionary onto the page. The words defined on the torn strips all had to do with flowers. I collaged the deli paper printed page and then the printed book page onto the background and set to work creating a cohesiveness to the piece with paint pens, markers and fingerpainting – I had decided, somewhere in the process, that I wouldn’t use any brushes on this page. So I didn’t.
When I was finished, I placed my hands on the page, took a breath, closed my eyes and asked, “What words do you yearn to release?”
And the poem below came into being.
I am sharing my ‘process’ because it is, in so many ways, a reflection of life. We start with a desire to live life as best we can. We set goals. Follow dreams. Discover and use our talents. We gain knowledge. Expertise. Experiences. We layer on wounds. Scars. Cracks. They form the stories we tell ourselves about why or how we can or can’t do something. Those stories, made up of all the words we use to tell them to ourselves, again and again, create pathways, ruts, habits. Sometimes, we question their existence. Often, we accept them as natural limitations.
And then, one day, if we’re lucky or if we’ve hit such a devastating patch we cannot fathom how we will go on, we have no other choice but to start questioning the stories we’ve told ourselves about how we got to this dark and foreboding place. In our questioning, we start to unravel the words that formed those limiting beliefs that trapped us in believing this, this place where we feel so lost and alone and hopeless, is really all there is. Isn’t there more?
And then, if we’re really, really quiet, if we’re really, really still, we hear that voice deep within calling us to awaken. To open our eyes and heart and arms to the infinite mystery of who we are when we stop questioning our right to live wild and free and outrageously ourselves.
That’s when we begin the journey back to our truth. To the stories we tell ourselves, not of our limitations but of our limitless capacity to live wild and free and outrageously ourselves.
Yesterday, I stepped into the studio and the muse whispered, “He gave her words.”
I did not question, “What does that mean?”
I did not ask myself, “How on earth am I going to create something around ‘that’.”
Instead, I dove in. I let my intuition, my inner knowing guide me, unquestioning, into the creative expression of the muse’s invitation. I allowed ‘whatever yearns to appear’ to appear as I expressed myself without limiting my expression of my intuition by listening to all I tell myself I know about words and making sense of them or art and all I know about making it happen.
I stepped into the studio yesterday. I let go of ‘knowing’ and allowed myself to be present to the process of unveiling the mystery of what was seeking to be revealed.
And in the end, isn’t that what life is? A journey of exploration? A great mystery to be revealed with every step we take in its unfolding? Wild and free and outrageously ourselves.
He Gave Her Words
by Louise Gallagher
He gave her words
ripe and plump
full
of plundered promises
plucked
from the strings
of memory
playing a melody
he vowed would never die
with the turning of each season.
He gave her flowers
colourful and bright
full
of tomorrows
never-ending
cast upon indolent days
spent languishing
beneath a summer sun
burning
hot against her skin.
He gave her promises
vanishing
like flowers
wilting
beneath autumn’s kisses
bleeding colours
dry
fallen
upon the frozen ground
of winter’s ice-cold breath.
He gave her words.
She gave her heart.
His words faded.
Plucked dry.
Her heart beats.
Fierce and free
of his words.
“What Tears May Come” – mixed media on canvas paper – 11 x 14″
“Sometimes, the only way to experience the journey fully
is to learn what the journey has to teach you.”
Lately, I feel like I’ve been swimming in a sea of Hope. Angst. Curiosity. Confusion. Sorrow… An alphabet soup of emotions that flow full of these times when my beloved and I wait to receive our first vaccination in 10 days mixed with the wonderment of what that could mean… How will things change? Will they change? Will I be different? Will the world feel safe?
I have learned a lot, grown a lot, experienced a lot throughout this past year of sequestered solitude. All of it is, as Ram Dass called it, “grist for the mill”.
Over the past two days, awash in that sea of alphabet emotions, I worked on the painting above. I had actually started it many months ago and set it aside – or at least the background part which had a heart on it which I really liked but wasn’t sure if I wanted to do more with it.
The background was in a pile I keep for those moments when I want to explore but have no clear starting point or idea of what I want to do. When I pulled it out, I set it beside an alcohol ink background that was waiting to be cut up and made into bookmarks.
“Ha! Why not sew flowers on the alcohol ink background, cut them up and collage them onto the other background?” a voice inside whispered. I’m not sure if it was the muse or the critter testing my resolve to let go of thinking some pieces I’d created were ‘precious’ or the inner voice of wisdom urging me to just be present in the process.
And then the voice said, “And while you’re at it, why not cut the heart out of the original background so you can affix it over the flowers?”
Whoever it was, I decided to heed them. I cut out the heart (Ouch. That was not easy!) I pulled out my sewing machine and got to work sewing flower shapes onto the Yupo paper (it’s a synthetic paper used with alcohol inks).
I liked the look of the flowers and began affixing them to the background with a gel medium.
And that’s when the yucky-messy ‘oh no what have I done’ happened.
See. Alcohol ink is not permanent unless you spray it with a fixative. I hadn’t done that. Suddenly the colours and patterns I’d liked so much began to bleed and blend and fade and mix and just get kind of all yucky. Okay. A lot yucky.
I wanted to throw the whole thing out but I’m also very stubborn.
So I kept digging in.
Two days later the piece is a testament to so much of what the past year has taught me.
Stay present in the process. Be here now. Be patient. Be curious. Be persistent. Let go of expectations. Let go of perfection. Don’t give up. Dive in. Keep going.
Teachings from the studio during a global pandemic
And then….
When I opened my laptop to work on the quote, I also stumbled across a poem I’d started awhile ago that I’d set aside. (Does anyone else have umpteen WORD documents left opened on their computer? Hmmm… I do and it’s always a lovely surprise to discover what I’ve started and not finished – okay so maybe ‘lovely’ isn’t the word but I’m going with it)
Anyway, I wrote the quote onto the painting and then started working on the poem that also represents so much of what this past year has taught me.
There are moments when the tears I fear to shed wallow in the spaces behind all that I cannot see in the world beyond my front door as I sit feeling trapped inside eyes closed to hold back the tears I dare not release for fear they will flow like the river never ending.
In those moments I must swallow hard the lump of fear jammed up against the worry pounding at the roots of my angst squaring off against thoughts threatening to riot amidst the litany of all that has happened all that has gone on all that is lost and discarded and missing in these days of being cut off from the way things were before, before the pandemic rolled in and declared its presence known on the other side of front doors slammed shut against its entry.
In those moments I must remind myself that one year is but a moment in time’s great expanse spanning all of life with its threads of wonder and awe and beauty unfolding whether I sit behind closed doors or walk the forest paths alone along the river waiting for the time when it is safe to open the front door and let go of fear.
Perhaps, as the river flows and the seasons change and this tiny microbe loses its power over hearts and lungs my tears will flow free falling without fear of never ending.
The original quote for this page read, “They said, don’t be so aggressive. It’s a real turn-off. She said, I’m not here to turn you off or on. I’m here to wake you up.”
I debated. A lot. About leaving it as it was. Because… well you know… would people think I was being too aggressive?
And there’s the catch. Someone will always have something to say if we speak our minds. Speak out. Stand up. Get heard. Get seen. Do what we want. Go where we want to go. Ask for what we want. Demand our rights. Fight for justice.
If we act sexually. Act demurely. Dress provocatively Dress plainly. Wear make-up. Wear no make-up. Colour our hair. Don’t colour our hair. Speak loudly. Speak softly. Laugh uproariously. Don’t laugh enough. Sit with our legs crossed. Sit with our legs open. Stand with our chest thrust out to (so they say) ‘show ’em what we’ve got’. Stand with our shoulders hunched to hide what we’ve got. Put on weight. Lose weight.
Want to be a doctor. Want to be a nurse. Sit at the boardroom table. Sit behind the reception desk. Be an outside-the-home working mom. Be a stay-at-home working mom (because no matter how you cut it, women are always working wherever they are). Put our children in day-care. Have a nanny. Use the TV as a nanny while we try to clean up the messes all around us.
Sure, we’ve got options. But those options always come at a price. And that price is based on whether or not we ‘fit’ into a man’s world and how men will see us in their world.
It’s not their world.
It’s our world too.
A friend sent me an article from the BBC this morning about two sisters who have begun a campaign to stop catcalling on the streets of their city.
Let’s be clear. Their campaign is not to stop women fromcatcalling men. It’s to stop men believing it is their right to harass women as they walk down the street. Sit on buses. Subways. Theatres. Stand in hotel lobbies waiting for friends (which happened to me once. A man decided I must be looking for someone to pay me to have sex with them because I was standing alone in a hotel lobby waiting for a friend for a drink. (I almost added how I was dressed which goes to show how insidious the thought patterns are. How I was dressed doesn’t matter.) He came up, stood beside me, flashed some money at me and asked if I wanted to go have a good time with him. I (politely – my mother always told me to be polite) informed him I was waiting for a friend. He kept persisting. Eventually, I told him to get lost. He informed me I didn’t have to be rude about it. Excuse me? You are trying to solicit me against my wishes to have paid-for-sex with you and I’m being rude?)
When I told my friend, who was a male, what had happened he laughed and said, “Maybe you should just take it as a compliment.” I didn’t throw my drink at him but I did set him straight. It wasn’t about paid-for-sex. It’s about my right to stand where I want, how I want without being accosted by strangers who believe it is their right to say whatever they want about my body and what I do with it.
Anyway, where was I?
Right. The article my friend sent me. (Thank you IM for inspiring me again!)
The fact that this behaviour continues is not a shock because historically, women have been blamed for men’s bad behaviour. Women have been forced to adapt their ways to avoid unwanted sexual advancements.
What is shocking is the fact that so few men are waking up and telling one another, “We Must Change.”
To those men who have. Kudos to you. But dare I say it or will you think me too aggressive? It’s about time.
To those who still believe Boys will be Boys – Change your belief system. Hold yourselves accountable.
Boys learn from men. When men think it’s okay to catcall a woman/girl walking down the street or to pass by and stick their hand out the window of the car they’re riding in and slap the derriere of a woman walking along the sidewalk (as happened to my eldest sister) then boys will continue to believe it’s not their fault. They’re not accountable because ‘she’ shouldn’t dress that way or walk down that street alone because… That’s just askin’ for ‘it’.
It’s the ‘it’ that needs to change.
The ‘it’ of believing your words don’t have impact. Your acts don’t make a difference.
The ‘it’ of believing when you catcall a stranger’s daughter or sister or niece or cousin or mother, it’s just ‘fun’ or boys being boys. No harm done.
There is harm being done. And if ‘it’ can happen to a stranger’s daughter or sister or cousin or niece or mother, ‘it’ is happening to the women you love in your life too.
So yah.
Call me aggressive. Call me rude.
But do not call me names while I walk down the streets where I have the same rights as you to pass by unmolested by your words telling me what you know I want.
You don’t know what I want but I’m willing to tell you.
Her prayers were known in the whispers of time. They are the memories that bind us. The love that holds us. The gift that lives on. — from My Mother’s Prayers – altered book art journal
Growing up, I was never particularly fond of the name Louise, though I did like its meaning, “Famous Warrior”. Named after my father, Louis, I felt trapped between my mother’s desire I be ‘a good girl’ and my father’s wish I be the second son he’d wanted.
I wanted to be Natasha. As in, a Russian Princess with black hair and piercing blue eyes and alabaster skin who wore rustling silk gowns and always got her way, and when she didn’t, threw tantrums and stomped her tiny slippered feet with impunity.
Or Rebekah. Grandmother to Joseph. In the photos of her in the big, red-leather-bound book with the words, The Catholic Bible embossed in gold on the front that sat in a dominant place in our living room, Rebekah had black hair and dark eyes, like me. She looked beautiful, like I imagined my father’s mother to be. I never met my father’s mother, but she too was Jewish, which seemed exotic to my childlike mind. We seldom spoke of her. She divorced my grandfather when he was a child. The story my father told was that she didn’t want him so sent him away from London, England to boarding school in Gravelbourg, Saskatchewan, when he was eight, while his sister stayed to live with her in London. Many years later I would learn that wasn’t the full story, but it was the story we grew up with.
I loved the story of Rebekah in the bible. How she cemented her place in history, used her feminine wiles and wits to create a dynasty and a place in history for her favourite son. In a house where my sisters and I used to joke about our brother that, “the sun rose and set on the son”, I liked how Rebekah knew exactly what she wanted and was committed to do what she needed to get it.
Rebekah’s path did not sit well with my mother. Women don’t behave like that she’d insist whenever I’d ask to read Rebekah’s story. It’s not ladylike to be so domineering, she’d say, before turning to a page she preferred we read.
Looking back, I can understand why my mother insisted we read only the stories that extolled the virtues she deemed to be ladylike. I wanted to be the things she did not admire in women. Independent, strong, willful even, like Rebekah, but was often told I was petulant and demanding, bratty even, like Natasha, my Russian wanna-be namesake.
For many years, I got lost somewhere between the pages of that red-bound-leather bible and the confusing messages of the world around me. “Be smart, but not too smart. Boys don’t like smart girls.” “Dream big, but not too big. Boys don’t like girls whose dreams are bigger than theirs.” “Be outspoken, but not too outspoken. Boys don’t like loud-mouthed girls.”
For my mother, there was never a question that being like Mary was the goal of every woman. Nor was there any question in her mind that I would ever attain such grace. I was just too flawed and imperfect to ever get there.
I didn’t particularly want to, ‘get there’. Yet still, I tried. And constantly failed. It felt like a set-up. By God. The Bible. The stories of men who dominated its volumes and its unrealistic expectations of women’s virtues. Society and its double standards. My body that, no matter how hard I wished it wouldn’t, kept turning into a body men desired.
I have long since come to terms with my name and nature and femininity. Time, and a whole lot of therapy, have given me perspective. But, as I began to write this piece I went back and read the stories of Rebekah and was transported back to those childhood days when my mother would take down the red-leather-bound bible from its perch and open it to a story she wanted to read.
In that memory I am reminded of the sacred nature of those moments. Of sitting close to my beautiful mother listening to her soft lilting voice, her hands fluttering in the air between us as she read the stories that meant so much to her. Of how each turn of a page revealed yet another stunning painting of a Biblical scene in living colour.
Sometimes, she’d read a story from one of the four Book of Saints that accompanied the red leather-bound bible.
The ones about the women saints, those who defied the odds, who did great things with great courage and even greater spirit ignited my imagination. I wouldn’t realize it then, but those are the stories that birthed the feminist in me.
I wanted to be like those saints. Not the pious part. That just wasn’t my gig. But the strong, committed, overcoming challenges and standing up to unrighteousness and corruption and wrong-doing in the world… now that part grabbed my dreams of who I wanted to be in the world. The challenge was always to find my path without having to be the ‘good little Catholic girl’ my mother dreamt I’d become.
It would take me many years, and buckets full of life experience, to find my own way.
And while as a child, I’d often rather have been out playing in the backyard, today, I am thankful for those times when I sat beside my mother as she read stories from the big red-leather-bound bible on her lap. I didn’t know it then, but in those quiet moments she was giving me many gifts. A love of beauty, of story, of art, of possibilities. And the courage to use my voice and gifts to create a better world today.
Namaste
__________________
About the Art: After our mother passed away at 97 years of age last February 25th, I brought home the stack of prayer cards she used every night to say her prayers. For several months, I worked on an altered book art journal, incorporating her prayer cards into each page. The 2-page spread above is from the printed copy of the finished book which I created of the altered book art journal (I wanted to give both my sisters a copy so needed to have it printed). The 3 faces are my grandmother, mother and me. If you’d like to view the print-copy of the book, you can see it here.
For me, the book stands as a testament to the power of art to heal hearts and the past while inspiring beauty in the present day and awakening courage to create a more loving tomorrow.
No. 75 #ShePersisted Series – They said, you gotta be strong like us to change the world. She said, being strong like you won’t change the world for the better. We all need to be strong of back, soft of heart to create a better world together.
It is something I find fascinating about this dance with the muse I enter into every time I step into my studio, or sit at my desk, or go for a walk, or lie in the bath… OK. Maybe that should read, this dance with the muse I live everyday.
I don’t ask for her presence. She just is. There. Here. Everywhere. Within and all around me.
I also don’t ‘ask’ for ‘the words’ for the #shepersisted series to come. They simply appear. Sometimes, they come without need of editing. Sometimes, they form as a sentiment calling to be expressed, asking me to massage the words into deeper meaning. To find that meaning, I often have to go through the journey of creating the visual message first.
And then, there are days like yesterday when the words appear before I even enter the studio. They arrive in my mind, full of fleshy substance, carrying with them a deep compelling desire to be brought into visual being.
On those days, like yesterday, there is nothing I can do to dissuade or convince the muse I have other things to do.
I must heed her urgings. I must create.
And here’s the thing. While I don’t intentionally ask for or summon up the words, there is an intentionality to the creation of the artwork.
For example, beneath the layers of paint, the foundational background of No. 75 was created by using a rubber mat, the kind you put in the bottom of a sink to protect dishes. It’s all flowers and butterflies. To begin, I placed it on the blank white page and sprayed purple ink over it. When lifted, the page was covered in white flowers and butterflies between purple splotches.
The use of a kitchen sink mat is intentional.
It signifies that moniker I keep grating against yet still succumb to thinking is mine to take care of. That ubiquitous thing called…’women’s work’.
Yeah. I know. Division of labour and all that but the fact remains, while advances have been made over the past 40 years, women continue to do the majority of unpaid household work and continue to spend more time at it than men. Even more significant, COVID has caused many of women’s advancements to be lost, pushing women out of the workfoce, back into the home.
From kitchen mat to boardroom table, women continue to face obstacles that impede their rights, their opportunities, their independence, their health, wealth and well-being.
For me, the #shepersisted Series is my personal statement of ‘ENOUGH’.
Enough of playing by the rules. Of being, polite not forthright, assertive not aggressive, ladylike not badass girl-power running wild at the frontlines of making change happen now.
Seriously. Do men ever get told it’s not ‘manlike’ to ask for what they want? To be assertive, yes. Aggressive no. (watch for a yet to be created No. 76 on that one!)
The muse is not done with the #ShePersisted Series.
Neither am I.
But then, I’m not done with changing the world either.
How about you?
Have you had enough? No matter your gender identification, are you willing to stand up, give voice and make change happen for everyone?
None of us can do it alone. But together? We are a mighty voice. A powerful force. An unstoppable collective.
I am meditating on the question, “What has this time of Covid and its slivers and shivers of fear running through every thought, action, moment have to teach me?”
My facile mind wants to answer, “I don’t know.”
The wise woman within asks, “If you did know what would you know?”
I know that at the beginning of Covid’s restrictions, when people said, “Be safe” I’d wonder, what on earth does safety have to do with these times? Be well. Be healthy. Take care. Those make sense to me. But safety?
I wear my arrogance like a mask as if donning it will keep me safe from feeling afraid.
Over the past year of sequestered solitude, of spending time exploring grief and loss, silence and solitude, I’ve learned that safety isn’t about just the physicality of my life. It’s the whole shebanga. It’s feeling safe in my heart, my body, my mind, my spirit. It’s all of me and trusting that ‘all of me’ to be enough to keep me safe from self-harm as well as external danger.
At the beginning, I thought saying, ‘be safe’ was just instilling fear into everyone’s minds. I thought wearing a mask would make me look foolish.
Yet there I was, wearing masks of my own hubris, separating me from feeling the fear that would allow me to recognize the truth.
I needed fear to ensure I did the right things during this time. I needed that fear to compel me and inspire me to take actions to safeguard my health as well as my beloved’s and the health and well-being of those I love and care for. My family, friends, community.
Fear, in the time of Covid, is a great motivator. It doesn’t immobilize me. It mobilizes me to take right actions.
I am freefall writing and smiling as I write.
The gift of freefall writing is its capacity to allow the words to flow out my fingertips without engaging my mind in their creation.
It is a process rife with uncertainty.
Uncertainty is good for my soul. My hubris. It brings me back to the centre of who I am when I let go of wearing the masks of attitudes that do not serve me.
I used arrogance as my protection. It did not serve me well.
Arrogance is not a great dance partner. It assumes it knows better, can do better and create better than those who are doing the hard work of doing and creating better.
I want to stop and go back and edit. I know that’s just fear talking.
Will I be revealing too much if I let this post stand as written? Will I look… foolish?
Ah yes. The fear of looking foolish.
Such an inhibitor. Such a waste of energy, time, life.
Looking foolish is good for me. It keeps me playing in the field of possibility. It keeps me testing boundaries, pushing myself outside my comfort zone, moving beyond the edges of what I tell myself I know, into the bottomless mystery of all I don’t know about myself, the world around me, life itself.
I am freefall writing and letting my words stand as what has appeared in this moment.
I am awakening uncertainty to claim my right to be, Me.
And I am letting go of the masks I wear that I tell myself will keep me safe.
The only mask I need to feel safe and be safe in this world today is the one that protects me and the world around me from Covid’s sinister reach.
I welcome the day when we don’t need a day to remind all humanity of our right to equality, equal rights, equal pay, equal justice, not just women but every human on this planet regardless of race, gender, socio/economic status.
I welcome the day when glass ceilings do not need to be broken. Glass ceilings don’t exist.
I welcome the day when girls’ bodies are not mutilated, when education is not denied, when child-marriages are decried and girls are not afraid to speak their minds and pursue their dreams.
I welcome the day when females of all ages can walk the streets without the curse of catcalls polluting the air around them. When a late-night walk alone is not accompanied by the fear of rape because some men believe it is their right to do what they want, how they want, when they want with the female body.
And I welcome the day when the feminine body is no longer used as a weapon of war. A weapon called rape; a tool strategically deployed to destroy entire cultures, to enforce social control, to terrorize women and children whose only crime was to be trapped by advancing forces of conflict as they tried to flee the battleground of wars killing the very children women gave birth to.
And I welcome the day when the things women do to give life, support life, nurture life and safeguard the future of families, communities and all of humanity are not cast off as secondary to ‘men’s work’. A day when ‘women’s work’ is no longer denigrated but recognized and celebrated as necessary and as vital as breathing for every single human on this planet.
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A few years ago, my eldest daughter and I had a conversation about women’s issues after she was cat-called as she walked down the street.
So much of that behaviour, I told her, stems from an ancient belief codified in histories written by men. A collective history that deems men worthier than women. Even the Bible begins with God as a male deity sitting at the head of the all-male Holy Trinity of The Father, The Son and (in my childhood lingo of the Catholic church) The Holy Ghost. Where was the Mother of God? Wouldn’t She have had an integral role to play in the formation of life?
That idea of being worthier than woman impregnates much of our collective consciousness around women’s rights and the right, which some men believe they possess, to treat women as objects.
And while, in speaking with my daughter, I didn’t actually say, I blame ‘the church’, my feminist soul struggles to understand how 60,000 people (mostly women) could be burned at the stake in the name of God or that in the Catholic church, women continue to be deemed unworthy of direct communion with God through the priesthood. Yet, in the US, even though Olympia Brown became the first woman to be ordained, with national approval, as a minister in 1863, around the world today, women continue to fight for the right to be deemed ‘priest-worthy’ in many denominations.
And I wonder… Which part of women’s history does the Catholic Church celebrate? The one where women were burned at the stake? Where they are still not able to break through the papal decree sheltering men on God’s side of the confessional booth keeping women on their knees before God their father? The one where the virgin womb is still a prerequisite of the marriage bed and where millions of women and girls are denied the right to contraception? Or the one where, as long as women stay in their place, the church will allow them to be celebrated as equal members of all God’s children?
Sure, we’ve come a long way, baby, but there is still so far to go to ensure every human being on this planet is treated as precious as the miracle of life that gives us life through a woman’s womb, whether virgin or not.
Until then, I shall stand with all my sisters, and those brothers who stand with us, as we call out in one voice for equality, justice, dignity and respect for every life on this planet we call our home.
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I wrote the poem below after that conversation in 2016 with my daughter. I share it again today. There is still so far to go.