Does God Weep

There are moments when the exquisite beauty of this world catches me unaware stealing my breath away like a sunrise washing over my body falling into the deep abiding silence of awe consuming me as I stand witness to darkness turning into light.

And still, standing amidst those moments there is the ineffable darkness of man’s inexplicable nature, of cruelty and cowardice, of rabid words and violence that pierce my heart, breaking it into shattered shards of despair, blocking the light with its litany of sins perpetrated by man upon the innocent.

This morning and yesterday darkness collided with light. Tk’emlúps te Secwépemc. The site of a residential school where the remains of 215 children were found buried and left, unmarked, as those in power erased their names. They were never forgotten by their people who have carried the stories and faced the denial of those who knew the truth. 215 lives x generations to come of pain and suffering, loss and unacknowledged grief and trauma. A history denied by those who perpetrated it. A history still lived by those who have carried the burden of all that was done to save them, in the name of god.

I have few words. Only a poem that has fallen out of the darkness.

Does God Weep?
by Louise Gallagher

does god weep
beneath the weight
of the horrors done
in his name?

does he cry out
in despair
as his people do
at the truth of 215
lives
buried
beneath the soil
in the worship of his name?

I do not know this god 
the one for whom so many innocents died
and so many lives were destroyed
because his name could not be tarnished
by the likes of them
until the likes of them
looked more like us.

I do not know how
he carries the burden
of all that was done
for him
when what was done
for him
was done to his children
those precious gifts of life
full of promise
of untold stories that lay buried
through the generations
in unmarked graves
hiding the truth
of what was done 
in his name
a truth that was always known
by those who walked the lands
of Tkemlups te Secwepemc
.

Did god nor man
not see the truth
of those innocent lives
stolen
and discarded
like left over wine at the altar?

I do not know if god weeps
but I do
weep
for the inexplicable darkness
of our human nature
blocking out the light
killing off our humanity
until all that is left
is a forensic accounting
too late

too late
to save the lives
of those left behind
of those who followed
the mothers and fathers
the sisters and brothers
the grandmothers and grandfathers
aunts and uncles and cousins 
too many
who have fallen beneath the burden
of all that was lost and done
in the name of god.

How to Beat Back Fear

Grow Wild – mixed media on canvas, 12 x 12″

Every time I sit at my studio table, stare at a blank canvas or page in an art journal, I feel the dark, dank tendrils of fear slithering up my spine. They scurry throughout the dendrites of my brain, plump with their insidiously sour whisperings about why I must stop. Now. Before I prove my worst fear true: I am inadequate to the task.

And every time I put paint brush to canvas or word to print or complete any task I set out to do fearing I can’t, I beat back fear.

Painting has taught me, I must feel the fear. See. it. Acknowledge it even. And then, I must transform it through taking action.

It doesn’t matter if the action leads to a ‘masterpiece’. What matters is, I stepped into the fray, faced my fears and forged on.

Creativity is the art of facing fear down with action. Action that takes you into the very territory fear is trying to keep you out of. Your fear of facing your magnificence, your beautiful self expression of your soul’s calling to be witness to all of life. Your fear of moving beyond your comfort zone. Of facing your fears, and the world. Your way. Wild and Free.

Perhaps, that’s what makes one person dive into their creativity while another will insist they don’t have any – the willingness to face fear again and again and again and still keep going.

Perhaps, it is our definition of ‘creativity’ that needs to expand so that we can all see how inherently creative it is to be human.

I have a friend who constantly says she is not creative, even though she is a marvelous cook, seamstress, friend. One of the things she does that always strikes me as an expression of her creative nature is to make beautiful meals for friends in moments of distress. She artfully packages each meal up with flowers and a beautifully penned note of support and delivers them to her friends in need. Yet, when I point out this is another viewpoint of creative expression, she brushes off my assertions with a, “That’s not very creative. It’s just what friends do.”

“Don’t you worry about intruding on their grief or pain?” I ask. (I have a fear of intruding when people are in moments of distress.)

“Sometimes,” she replies. “But I also know how much comfort someone feels when a friend turns up at their door with a gift of food and flowers when the last thing they can think about is what to make for dinner. So I do it anyway.”

See. Facing fear with action to create beauty, comfort, and ease in the world around you.

Yesterday, a friend picked up one of my paintings he’d purchased. One of his comments touched me deeply. “I love your art,” he said. “It’s so peaceful.” (Thank you BC)

I have never thought of my work as ‘peaceful’. Yet, when he said it, I felt the peace that consumes me when I face my fear of the blank canvas and lay down swathes of color and texture. Perhaps, that is what my friend sees and feels – the peace and joy within me, expressing itself outward onto the canvas.

The great Russian abstract painter, Vassily Kandinsky said, “Color is a power which directly influences the soul.”

I paint with color. It is an expression of my soul. It soothes my mind, my body, my being present.

It calms my fears and, even though I hadn’t realized it before, it stirs my courage awake. Awakened, I beat back fear. Not with angry words and protestations against its presence. But with the most loving, kind thing I can do for myself. Get creating.

And while I often don’t know where I’m going with a painting until I get there, the fastest route to get beyond my fear to find out where I’m going, is to let the colors lead my body into self-expression.

So thank you BC. Not just for your friendship and support of my work, but for your words. They touched me deeply and bring me great joy. And have given me a window into my own self-expression I hadn’t opened before. Much gratitude.

Namaste

Why I Dance!

Why I Dance – mixed media on canvas board. 11 x 14″

Years ago, as a gift for my daughters, I painted two paintings on the theme of dancing.

Yesterday, I wrote a poem entitled, Why I Dance.

I knew that somewhere I had a photo of the painting I’d created for my eldest daughter and went in search of it. I thought it might make a good accompaniment for my poem.

I found the painting, (believe me I was surprised!) but… I wasn’t all that pleased with the work. At the time, it was good. I had only been painting for a couple of years and it was a reflection of my nascent skills and talent.

But, (and yes, there’s always a ‘but’) I had totally forgotten about the ‘when’ of my beginning to paint until I started working on a new piece to go with my poem.

I started painting in the throes of a relationship that almost killed me. I had mostly quit writing. Writing is about truth for me and the truth around that relationship was enshrouded in so much pain and fear and terror I could not, would not, didn’t dare express it.

On that first day when I picked up a paintbrush, I found a way to express myself through creating beauty to block out the pain and fear I lived within every moment of every day.

As I look back on the gifts that painting has brought me, I am humbled by its power to transform fear into faith, pain into perseverance, horror into hope.

My eldest daughter taught me how to paint.

My daughters teach me how to love, the darkness and the light, within and all around me.

Writing teaches me every day how to walk in truth.

Painting awakens me, every day, to the beauty, within and all around me.

And here’s the thing about writing. This post is not at all what I had thought it would be about when I started typing this morning.

And then, the words appeared and as is the way, they just kept flowing as I flowed with them.

I’d type more but… Beaumont the Sheepadoodle is sitting by my desk, staring at me with that looks he gets when he feels I have been sitting here too long. “It’s time to get out into nature,” he says with his emploring eyes.

And I believe him and am off to dance with nature.

Why I Dance 
by Louise Gallagher  

There is no rhyme 
or reason 
to why 
I dance 

there is only  
the beat 
pounding 
pulsing 
pushing 
my body 
to move 
cavort 
contort 
into expressive release 
of the energy 
coursing 
through my veins 
limbs extended 
reaching out 
as if in that one  
fluid motion  
I can grab on 
to nothing 
but air 
and fly 
as high as the sky 
free 
of all earth 
bound need  
to be tied 
down.  
There is no rhyme  
or reason 
to why I 
dance. 
 
There is only  
the desire 
to fly 
free. 
This is the painting I created in 2003, the year I was released from that relationship.

She Could Not Let The Gods Die

My mother was born in India of Euro-Asian descent. At the time, Pondicherry was a French Protectorate with a very vibrant and strong Catholic community.

Devoutly Catholic, she affixed crucifixes above doors and kept statues of the Virgin Mary and Jesus by her bed. She also ensured there were statues of Vishnu and Lakshmi and other gods all around the house, just in case.

The words of a prayer were never far from her lips, especially if one of us four children lost something or tested her patience (read mostly me). Where I was concerned, it didn’t take much provocation for her to quickly launch into a prayer to St. Jude, the Saint of Lost Causes.

I remember once, we were camping and my sister and I were using one of my father’s favourite camping pots as a bucket. We would scoop water out of the river and then throw the water back in as if it were raining. I was scooping and throwing and accidentally let the bucket go as I was throwing the water back in. I remember watching, aghast, as the bucket bobbed along the surface of the water, out of reach. My mother made me pray with her to St. Jude and a few minutes later, the pot was found safely tucked in between two rocks a bit further downstream. She was convinced it was St. Jude answering our prayers, just as she was convinced, God and St. Jude would never give up on me.

Yesterday, I read Agah Shahid Ali’s poem, “Lenox Hill” which arrived in my Inbox via The Poetry Foundation. Reading his powerful and provocative words, I was reminded of my mother and her many gods and goddesses and her deep abiding faith in the God of her faith.

This poem was born…

She Could Not Let The Gods Die
By Louise Gallagher

Tired now,
she prayed feverishly
to her Lord
God of her faith
committed 
to following His way
to the other side.

It was the way 
of the cross
she’d carried away
from the land of her birth
when she’d left
to follow the way
of a man
who appeared
like one of the gods
she could not let
die.

She carried her faith like a cross
but could not let the gods
of her land of birth
die
just in case.

You never know when you might need
a god of another colour
she whispered into the shroud
of mystery
that encircled her
in the dead of night.
You never know who will meet you
at the door
of Heaven or Hell or Svarga loka.

And when the time came
for her to pass over
through the gates
of an unseen world
she held tight
to the rosary she’d carried
with her from the land of her birth
as her lips silently moved,
praying feverishly for her soul
to achieve enlightenment.

I have never let you die,
she whispered with her dying breath
where karma met Moksha on the way
of the cross
releasing her from all earthly ties
free
to live in peace
forever 
on the other side.

Unfurling

I awoke with the first stanza of this poem drifting through my mind.

When I wrote it down, the second stanza wrote itself out as if it knew its truth long before I heard the words calling.

When I went in search of an image to include with it, the image above was the first image I opened on my computer. It is from the Sheltered Wonder art journal Icreated last year to mark all I’d learned, experienced and grown through during the initial months of our sequestered solitude.

The body knows even when the mind doubts.

Yesterday, in response to a comment by the lovely and thoughtful Kiki, I told her I wished I’d taken a video of the raw journal. And then… while I was looking for something else, I accidentally uncovered the 19 sec video I’d taken of my Learning to Fly art journal before I started to create the images and quotes.

The body knows even when the mind doubts (or as in this case, forgets).

Since completing the LtF journal, I have been working on pieces for the Vale’s Greenhouse, Cultivation of Art Show and Sale I’m in June 18, 19, 20.

Initially, I was hesitant. Worried. Fearful of moving from art journal to canvas.

I love the freedom of the art journal. There is no right or wrong way. There are no rules. Anything goes.

The Canvas… well there my mind starts to impose rules. It has to be ‘good’. Sale-worthy. Meaningful. Impressive…

I balked. Stalled. Procrastinated.

And then I listened to my body. I sank out of my thinking mind into the font of knowing deep within my belly.

Just start, my body whispered. Just start and let whatever is yearning to appear find its way into expression.

And so I did.

And so it has.

And I am reminded again, the body knows even when the mind doubts.

Blossoming – mixed media on canvas board – 10 x 10″
Nurture your dreams – mixed media on canvas board – 10 x 10″

Falling in love all over again.

One of my first loves was film.

As a child, my sister Anne and I would re-enact scenes from our favourite movie — especially The Parent Trap where we would each take on the role of one of the twins and spend hours recreating various scenes.

In my 40s, I studied screen-writing and had a script optioned. I also worked on various films, writing and producing documentary along with other pieces.

But it was hard. A single mother with two daughters, I had to make a living so I got a job and life kept moving on.

Over the past year, I’ve been coming back to my love of film-making. It has been a lovely gift to myself to edit videos both for my Dare Boldly Art and, as I most recently did, for my sister’s 70th birthday.

It gives me such joy!

Yesterday, I decided I needed to finish off my Learning to Fly art journal with a video of all the pages. Called a, ‘Flip Through’, the purpose is to show the body of work in its entirety.

And again, I had great fun.

I also created a page of all the quotes I’ve affixed to the pages and it was in that process I felt the shimmer of divine grace descending and wrapping me up in its mystery.

I honestly don’t remember where all the words came from. They just appeared as I immersed myself in the creative process.

Which brings me back to the joy of film-making.

Last night I attended my first board meeting for THIRD ACTion Film Fest which I recently joined. (Do check out the upcoming festival list! The films are amazing and you can watch them from the comfort of your living room or deck — it’s all online this year again!)

As we talked and went through the processes necessary to govern a film organization such as this, I was in awe of the talent around the ‘Zoom table’ as well as the passion and commitment of everyone there.

I also felt my creative juices spark and fire up and get all excited about an idea…

I’m not sharing it yet… ideas need time to germinate. But, I will say this… it’s the first screenplay I’ve tackled writing in 25 years.

I’m hoping it’s like riding a bike. The skills I learned in the two year screenwriting course I took way back when will reawaken and my natural gifts for story-telling will get all charged up and I’ll be on fire!

I am excited.

Which is why it felt so serendipity this morning when I gathered up all the quotes from my Learning to Fly art journal into one document and I discovered the path unfolding with my writing wings unfurling.

As they say in the screen-writing biz… CUT TO:

_______________________________________

This is the Flip Through video I worked on yesterday for my Learning to Fly art journal.

Did I mention how much I’m enjoying creating videos? No? Oh well… A LOT!!!!

Waiting out the storm

The morning started out cool, damp and gloomy yesterday. As the morning progressed, it didn’t get much better.

By the time Beaumont the Sheepadoodle and I went for our long walk, the temperature was still hovering close to freezing.

“I should dress warmly,” I told my rational self.

My irrational self had other ideas. “It’s late May,” that voice inside my head that loves to be contradictory insisted. “You shouldn’t have to bundle up.”

This is Calgary. Snow in May is not uncommon.

In 1986, when I was in the final weeks of my first pregnancy, (my due date was May 28) we were also in the final stages of finishing a renovation on our house. The back end was still covered in a big tarp as our contractor raced to complete construction before I gave birth.

Fortunately, my daughter decided to wait three weeks before putting in her appearance June 19th, but that’s a whole other story.

At the time, we were racing to finish the renovation when the weather decided we needed one last big dollop of winter. And I mean BIG TIME dollop. A HUGE dump of snow.

So yeah. Snow is not uncommon in Calgary in May.

Alas, it’s also not uncommon for my mind to decide it knows better, or to forget being obstinate is not necessarily a good thing.

Which is why, when Beau and I were walking on the path that wends its way through the woods along the river, I had to stop under a tree, pull the linen scarf I wore around my neck primarily for decoration, up over my head, and wait out the sleet that was almost snow. Note to self: linen scarves do not offer much protection from the elements.

Beau had no need to wait. Oblivious to the white stuff falling from the sky, he sniffed and snuffled through the grasses, bound over fallen logs and headed into the river for a drink.

By the time the sleet/snow stopped I was feeling mighty damp. Because I had told myself I didn’t need to wear my fleece lined rain jackiet, my sweater coat offered about as much protection as my linen scarf.

And none of that mattered.

As I stood under the canopy of the forest, I listened to the birds twittering and tweeting in the trees. A pair of Canada Geese honked as they flew overhead. Two ducks floated on the river just out of Beau’s reach. A squirrel complained vociferously about Beau’s presence on his turf. A woodpecker pecked on a tree trunk somewhere close by and the leaves whispered stories of their unfurling as the wind rustled through the branches.

It was magical. Mystical. Beautiful. And, I might have missed feeling, hearing, seeing, experiencing the sounds and sights of the forest so deeply had I not stopped under a tree to wait out the squall.

Which makes me wonder… how much beauty do I miss when I’m busy living my life as if getting to the next moment in time is all that matters? How much of the mystery and wonder do I not experience because I’m busy marching through inclement times determined to better life and get ‘this stuff’ over with so I can get to the ‘good stuff’?

Living on the river reminds me, every day, that it’s not about bracing myself to face every storm as if I can get the better of nature. Nor is it about trying to protect myself from life, or arm myself to avoid falling or getting wet.

It’s about listening to the calling of the trees, the birds and all of nature and allowing all of nature to unfold naturally, effortlessly, calmly, without my trying to control it.

And yes, it’s a good idea to put on a rain jacket when the skies are cloudy and grey. But it’s not the rain jacket that makes life beautiful and magical and full of awe. It’s your attitude.

Whether you storm head first into inclement weather, or wait it out under a tree, being present to all that is around you, savouring the moment full of the sights and sounds of nature, makes all the difference in the world, no matter the weather, or even how well you’re dressed for it.

Namaste.

Leafing Out – Lessons from the canvas

Leafing Out — Mixed media on canvas – 10 x 10″

I find some transitions hard.

Like going from autumn to winter. Here in Alberta it can happen in less than a day, just as spring can pop out and then be burdened again with snow. Some days, like this morning when Beaumont the Sheepadoodle and I went for our walk, I’m not prepared for the sudden leap backwards from 22C (72F) yesterday to 3C (37F) this morning – my hands were really cold!

Another transition I find challenging is moving from working in my art journal to a canvas. My mind starts chattering about how ‘There are rules when painting on a canvas.” “A canvas can’t be wasted.” “Make it good.” “Don’t mess up.” “This isn’t as much fun…’

Which is what happened when I went back to working on a painting I’d begun a couple of weeks ago in preparation for an art show I’m in next month.

The under-painting

I had an idea of what it ‘should’ be. Big pops of colourful flowers on the background of smaller flowers I’d already painted.

I worked hard to make my vision come into reality.

But it just wasn’t happening. I felt stiff. Confined. Like it was all just turning to muck and mud.

I took a breath. Stepped back. Made myself a cup of tea and contemplated what was going on.

It wasn’t that the painting was awful. It was that my mindset was full of ‘stinkin thinkin’.

I was getting caught up in my expectations of how it should be, versus allowing whatever was seeking to appear to find its way into expression.

I wasn’t letting it be. I was trying to make it become…

And that’s why I was feeling so frustrated and uncomfortable. That’s why the critter was prattling on about how I couldn’t paint. How I wasn’t good enough. How my art sucked.

To find my inner knowing/intuitive self, I had to shut off my thinking mind and get into my ‘belly brain’. I needed to allow myself to sink deep into my body so that I could be present with the process instead of trying to force it into what I was trying to make it become.

It was a great lesson.

Getting stuck in your head. Dousing yourself in self-judgement. Self-criticism. Self-harshness and a desire to control the outcome all play a role in limiting joy, self-expression, creativity and passion.

To live life fully I must release myself from expectations. I must let go of the outcome to fall deeply into the process of being alive in this moment. Right now. Unfolding in all its ineffable mystery.

When I hold on too tightly to the outcome, I lose sight of where I am, what I’m doing, how I’m being in this moment right now.

I’m pretty sure spring leaves don’t tell the tree, I’ll only leaf out if I can be 3 inches long, two inches wide and a certain green hue. And they definitely don’t say, “Oh. And I’ll only unfurl if you promise to not make me turn orange and fall later in the season.” They leaf out fully immersed in the journey of leafing out.

To be fully immersed in my life, I must release my need to control the journey and throw myself with wild abandon into each moment unfurling in the deep unfathomable mystery of life.

Namaste

.

Happy 70 Annie!

Three years ago, she had open heart surgery to replace a valve that had been replaced 15 years previously and was wearing out.

Six weeks after the surgery, she was back in hospital for a month with a life-threatening infection. Every day while in hospital, she’d grab her ‘dolly’ that fed her a constant stream of antibiotics and walk the hospital corridor to ensure she reached her 10,000 steps a day goal.

On Tuesday, last week, to celebrate and mark her 70th birthday today, she walked 70,000 steps. It took 11 hours but she did not stop until she reached and surpassed her goal by a couple of hundred steps, And as she walked along the coastal road of Gabriola Island where she and her husband have lived for the past five years, people greeted her and cheered her on. I imagine some of them even said, “There’s that crazy Annie! Walking. Walking. Walking.” While secretly, they wished they had her verve, her commitment, her energy and her smile.

My sister Anne turns 70 today.

The age is not remarkable. She wears it effortlessly, making it appear much younger than its years.

She, however, is. Remarkable.

As children, we played and fought together. When one of us had done something ‘wrong’, we’d bribe the other to not tell our parents by passing back and forth one of our favourite toys. I often had two bride dolls. She often possessed two Teddy Bears.

In our teens, we were close. We still fought but nothing could break us apart.

Anne was the quiet one. I was the boisterous, more adventurous one. She wrote poetry. I wrote scary stories. I skied and ran and taught swimming while she read books and wrote more poetry and quietly went about making sure everyone around her was comfortable, well-cared for, and not in need of anything vital.

Two and a half years my senior, I have always acted as the older sister. Even as kids I liked to play the protector. And the boss. In our games of make-believe, I always set the scene, dictated which roles she played and generally took charge.

Anne always followed my lead, gently, quietly, without acrimony. But, cross her… well, let’s just say I learned quickly that her sense of right and wrong is very strong, laser sharp and accurate. I couldn’t get away with anything that crossed that line. And I’m grateful. She kept me out of buckets of trouble, and was always there for me when I hit a rough spot, or took a wrong turn, or went for an experience bigger than I could handle alone.

I also knew that no matter what, she would have my back. It’s who she is. There for whomever needs her. Willing to pitch in to do what is needed. Always in her quiet, unassuming, gentle way.

For the past week I have been putting together a video for her birthday – it’s been a labour of love and memory and appreciation. As friends sent in video clips and messages I was blessed with hearing about my sister through their many voices.

What an amazing gift.

Their words and messages shone a light on who I know my sister to be but didn’t always know the world could see… Kind. Thoughtful. Indefatigable. Determined. A good friend. A generous neighbour. A loyal co-worker. A beautiful, shining human being. A caretaker of the weak. A custodian of flora and fauna. A lover of chocolate. A smile that never burns out. And a heart that never quits loving nor beating fiercely with her love of life, laughter and nature.

I am so very grateful that Annie, as our father always called her, is my sister. So grateful that there is not one day of my life that she has not been in it.

Happy Birthday Annie.

You are one of a kind and the world is so much better because you make it so. Every day. In every way.

Always Leave Heartprints

Before my mother met my father, she had every intention of becoming a nun. And then, this dark-haired fly-boy rode in on a southbound train and swept her off her feet.

Years later, when she was a couple of years older than I am now, I asked her if she had any regrets. “I regret leaving my mother and father in India,” she said. “I promised to always take care of them and I didn’t.”

She didn’t regret not taking her vows. Her life, while often difficult after leaving India, was full of her family. Though, after returning to Canada in the late 70s, she wished she still lived closer to her brothers and sisters, most of whom were in France.

But she was deeply devoted to her son and granddaughters and never wanted to be far from them. When my brother left this world in 1997, a year and a half after my father, she was shattered.

It is the one thing she struggled with for the rest of her life; to understand the tragedy of his death and the loss of all contact with her two eldest granddaughters which followed.

Yet, no matter how devastated she was by her losses, her faith never faltered and she never questioned God’s will.

I often admired my mother’s deep faith. It gave her such certitude and grace. There was no doubt in her mind that God would take care of her and in that certainty, she sometimes wondered about ‘the why’, she never questioned God’s Grand Design. She never felt alone because God was always with her.

On Friday, I attended the funeral of my friend Bev, Tamara’s mother.

It is in such heart-breaking moments that I wonder if I had faith such as my mother’s would my heart ache so much. Yet, I know it would because loss is not about faith. It’s about sorrow. And the only thing to ease sorrow, is Love.

Because of Covid, there were only 10 of us at the service. Tamara, her aunt, cousin and seven friends. We were seated far apart from each other, masks on, no opportunity to hug, to support one another, to share our love, stories and strength with her beautiful daughter.

I am so deeply grateful for the gift of being able to be there for Tamara and to wish Bev a safe passage in this, her final adventure. But, the restrictions of Covid felt so heavy and binding and so very uncomfortable.

What struck me most was the realization of how important ‘gathering’ is when someone’s physical body leaves this world. How being there to say one last good-bye is vital. As is being able to walk alongside their loved ones in close community, to support them and to love on them.

With Covid there, it made the loving on them more distant and remote.

When my cousin Linda succumbed to Covid April 30th of 2020, my cousins in France could not gather. I was saddened by how difficult those days were for them, but didn’t fully comprehend just how tragic it would have felt until Friday, when I left the gathering, got in my car and drove towards home.

It was a beautiful, warm spring day. The leaves were budding. People were out and about. The sky was crystal blue clear.

My eyes were cloudy. My heart heavy.

Not just for Tamara’s loss and pain. But also because, as we sat in the sanctuary and bid Bev good-bye, Covid was present in our midst simply because of its restrictions and we were unable to give the one thing I know we all seven friends wanted to give Tamara and her family. A hug.

And so, this morning, I know in my heart, I must chose to seek the value in all things. To find the beauty amidst the aches that cloud my heartfelt view of the world on this beautiful spring morning.

This ache is a reminder to savour the moment and to treasure those I love and let them know how very, very deeply I love them and their beautiful gift in my life.

To live life with passion, purpose and presence.

To give. Love. Laughter. Compassion. Hope. Kindness.

Freely. Completely. Always.

And… to have faith… In Love. Always.

I do not share my mother’s deep faith in a God I never came to love as she did. It is not my way.

My way is to Love. Always. Completely. Freely.

And so I shall.

Love all things. Including this ache that reminds me that life is a precious gift to be savoured, tended to and cherished in every moment. Just the way it is. Just the way I am. And to be shared, freely and completely, with those I love.

I love you all and am grateful for your presence here, and in my life.

Namaste

.