Songs of Enchantment

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There was once a little girl who was afraid of colour. To see the golden yellow of the sun, or the deep green velvet of the forest, or the vibrant hues of the garden filled her heart with fear.

Terrified of all the colour in the world, she walked through each day with her eyes squinted against the onslaught of beauty that she could not witness. Fearful of the world of colour  that bombarded her senses with every glance, she covered her ears to the songs of enchantment all around and cowered beneath the belief that she was right to cling to her fears.

“Give me black and white,” she pleaded in the darkness of her mind.

And the world closed in around her until all she saw were the shadows between the colours of the world.

The story above appeared in my meditation as tendrils of thoughts whispering their away into substance.

I opened my eyes and let the words flow. Let them form themselves upon the page.

It is what I find most enlivening and mystical about the creative process. When I stop squinting my eyes, when I stop fearing what might be, or not be, magic and wonder happens.

When I fear. When I force or try to push the muse into a container, to direct her into this way or that, the wonder disappears and I am left feeling left out, apart, and let down, telling myself, there is no magic. There is no mystery. there is no possibility of beauty rescuing the light from the darkness.

In fear, I fall into that place where all I see is what I fear. Where all I know is what I expect to be the mundane, the same as, the predictable of life lived in the comfort of the darkness I crave when I let go of seeing the light in every thing and everyone.

At River Rock Studio, immersed in the creative process, without access to Internet or TV, the world fell away into that place where all I knew was its beauty. There was no war, no famine, no hurricane or jet planes being shot down. There was no enemy, no terrorist, no terror.

There was only the muse and me. Connected. Committed. Creative. And in that connection, I was part of the flow of the essential essence of the Universe. I was one with life. One creative expression flowing with the expressions of everyone all around me.

It is rarefied air. Elementary. Essential.

I tell myself, it is impossible to maintain such a connection to the essential nature of the world around me when I live connected to the world through everyday happenings.

“It is much too hard work to continuously live with your senses open to being alive,” the critter hisses. “Don’t tire yourself out. It’s not worth it. The world doesn’t care if you create. The world doesn’t need more creation. It needs more safety. More same old. More conformance to staying the course so it can keep ticking along without interference from the likes of you.”

And I sigh.

I know that critter’s voice. It is the voice of self-denial. Of refusal to see, we are all essential to the evolution of life. We are all creative expressions of amazing grace.

Anything is possible as long as I do not shut my eyes to the colours of the world. As long as I stay open and available to the song’s of enchantment flowing all around, all the magic and wonder and mystery of the world is mine to explore, to see, to know.

It is the beauty of the creative process. The wonder of this space where I let go of fear and fall, fearlessly, into awe knowing, to do my best in the world and for the world, I must allow my best to flow free.

 

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I have also shared another poem I wrote at River Rock Studio during my art retreat — this one was written when I returned home and carried the memory of the joy of creativity into my weekend.  Breathing Under Water.