Tag Archives: River Rock Studio

Songs of Enchantment

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There was once a little girl who was afraid of colour. To see the golden yellow of the sun, or the deep green velvet of the forest, or the vibrant hues of the garden filled her heart with fear.

Terrified of all the colour in the world, she walked through each day with her eyes squinted against the onslaught of beauty that she could not witness. Fearful of the world of colour  that bombarded her senses with every glance, she covered her ears to the songs of enchantment all around and cowered beneath the belief that she was right to cling to her fears.

“Give me black and white,” she pleaded in the darkness of her mind.

And the world closed in around her until all she saw were the shadows between the colours of the world.

The story above appeared in my meditation as tendrils of thoughts whispering their away into substance.

I opened my eyes and let the words flow. Let them form themselves upon the page.

It is what I find most enlivening and mystical about the creative process. When I stop squinting my eyes, when I stop fearing what might be, or not be, magic and wonder happens.

When I fear. When I force or try to push the muse into a container, to direct her into this way or that, the wonder disappears and I am left feeling left out, apart, and let down, telling myself, there is no magic. There is no mystery. there is no possibility of beauty rescuing the light from the darkness.

In fear, I fall into that place where all I see is what I fear. Where all I know is what I expect to be the mundane, the same as, the predictable of life lived in the comfort of the darkness I crave when I let go of seeing the light in every thing and everyone.

At River Rock Studio, immersed in the creative process, without access to Internet or TV, the world fell away into that place where all I knew was its beauty. There was no war, no famine, no hurricane or jet planes being shot down. There was no enemy, no terrorist, no terror.

There was only the muse and me. Connected. Committed. Creative. And in that connection, I was part of the flow of the essential essence of the Universe. I was one with life. One creative expression flowing with the expressions of everyone all around me.

It is rarefied air. Elementary. Essential.

I tell myself, it is impossible to maintain such a connection to the essential nature of the world around me when I live connected to the world through everyday happenings.

“It is much too hard work to continuously live with your senses open to being alive,” the critter hisses. “Don’t tire yourself out. It’s not worth it. The world doesn’t care if you create. The world doesn’t need more creation. It needs more safety. More same old. More conformance to staying the course so it can keep ticking along without interference from the likes of you.”

And I sigh.

I know that critter’s voice. It is the voice of self-denial. Of refusal to see, we are all essential to the evolution of life. We are all creative expressions of amazing grace.

Anything is possible as long as I do not shut my eyes to the colours of the world. As long as I stay open and available to the song’s of enchantment flowing all around, all the magic and wonder and mystery of the world is mine to explore, to see, to know.

It is the beauty of the creative process. The wonder of this space where I let go of fear and fall, fearlessly, into awe knowing, to do my best in the world and for the world, I must allow my best to flow free.

 

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I have also shared another poem I wrote at River Rock Studio during my art retreat — this one was written when I returned home and carried the memory of the joy of creativity into my weekend.  Breathing Under Water.

River Rock Studio – Painting in Words

Day 5:  River Rock Studio – Painting in Words

Composition is like a pasta dinner, our instructor, Jonathan Talbot, tells us. If you list the ingredients from least interesting flavour to most interesting, you find that the more interesting the flavour, the less of it you need to use.

We eat our art, he says, and proceeds to enthrall us with one of his many stories of art-making and life and a series of paintings under the name Patrin (‘patron’). It is a Romani word representing the signs travellers leave for each other. Here is a welcoming place. Don’t go to that door. They have good cheese. This vendor cheats… As a teenager, Jonathan lived rough for a while and was taken in by a Romani family in the States. He is a beautiful story-teller and his story is one of family, loyalty, bonds of gratitude that pay homage to a people who treated him kindly and set him well on the road of life at a time when he was lost.

In a field of white sheep, a black sheep is more interesting, he finishes off his story-telling and I am reminded of the analogy I used years ago when teaching creativity to grade schoolers. The cat sat on the mat does not paint a very interesting story. But, when I say, the cat sat on the dog’s mat, what happens?  And the students would get all excited about the possibilities of what could happen if…

Collage-making is an exploration of ‘what could happen if…’  If I put this image next to this, if I layer this on that, if I juxtapose this thought with this idea…. what could happen?

Like life, the outcome is seldom predictable, often uncontrollable. We must stay unattached to the outcome to give ourselves the freedom to explore the context of the elements and aspects of where we’re at to find ourselves free of expectations that the journey will be anything other than….. fascinating!

Benjamin Zander, co-author with his wife Rosamund Stone Zander, of “The Art of Possibility” shares his response when life throws curve balls or he takes a left instead of the right he’d planned. Rather than judging himself, or calling himself a loser, or stupid, he throws both arms up above his head, puts a huge grin on his face and exclaims, “How fascinating!”

I make many mistakes working in a medium I’m not familiar with, learning new techniques. When I choose to judge them as ‘mistakes’, I limit my capacity to push through what is happening into that mystical place of all that is possible when I let go and fall into wonder, awe, Love.

How fascinating!

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Painting In Words

©2014 Louise Gallagher
(Written at River Rock Studio, July 31, 2014)

Lost in a sea of colours and shape
painting in words
poetry pouring down
from cerulean skies
burnished with umber and quinachrodone gold
floating on a sea of Pyrrole Orange
I forget that place where right and wrong
matter as I attempt to hold on
to a design I cannot let go of.
Lost in the deceit
of believing letting go
will kill my dreams
of creating under water.

Diving into the nothing
that is left
when I let go
I fall
effortlessly
into the divine essence
of life
flowing in all directions
immersing me
in its wonder.

Letting go
I fall
free
of holding on
to nothing
but everything
I am
when I
let go.

Day 4: River Rock Studios

Day 4: River Rock Studios 

“It is not our job to criticize our work,” says Jonathan Talbot, our instructor. “It is our job to do it.”

Art is a way of seeing. Of knowing beauty in the world and expressing it. Art is man’s nature. Nature is God’s art, or, as Aristotle wrote, “things come into being either by art or by nature.”

The discussion of what is art stems from a comment Barbara, one of the other student’s shared about the beauty of the sunset the night before. We had been speaking of women artists. Discussing how few have been recognized throughout time, yet how many there were. “We’ve forgotten the greatest female artist of all,” said Barbara. “Mother Nature.”

And immediately upon hearing her comment, Jonathan asked the group, “What is art?”

Art is language to me. It is a way to communicate with each other, to connect, to share our unique expressions through creative works and ideas and expressions. Art inspires. Evokes. Creates meaning. It liberates our inner voices, opens us to the true essence of being human. Art is the language of our human greatness, from every perspective, whether we judge it good or bad. Art makes room for us to ‘speak’ of our aspirations, to express our dreams, our yearnings, our heartbreaks, our fears and sorrows. It raises our awareness from the mundane into excellence.  The horrific into beauty. It is all possible realities expressed through the being of its creator.

What is art to you?

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Every morning, Jonathan invites the group to gather outside as we light the candle to honour the artists who have come before us. We are all connected. Through time. Through our creativity, through the collective nature of the muse.

And each morning, he asks me to create the space for us to connect.

Here is the story I wrote for the group this morning.

Journal Entry, Wednesday, July 30, 2014  Mixed media on watercolour paper
Journal Entry, Wednesday, July 30, 2014
Mixed media on watercolour paper

And The Moon Beamed

Patience dear ones, the moon whispered to the stars. It will come to pass. The sun will slip into dusk and your time to shine will come, but first, you must learn to shine in the light of day believing in your own magnificence. one night, the whole world will see the brilliance of your light. But for now, you must practice patience.

And the sun shone, and the moon beamed and the stars twinkled knowing their night would come.

And then, it came to pass that the sun fell into night’s seductive embrace and the stars came out and played Twinkle, Twinkle upon the velvety blanket of night delighting in the lightness of being all that they were born to be in the light of day.

And they shone. Bright.

And the world turned and the sun slept and the moon beamed down upon the earth wrapped in eternity’s embrace.

See my dear ones, whispered the moon to the glittering stars. There is no need to be anything other than what you are born to be. Brilliantly bright and magnificent.

Shine dear ones. Shine.

Day 2 at River Rock Studio

Day 2. Monday, July 28th, 2014

It is the official first day of the course. I am excited. Eager to delve into collage, art-making, being in community.

We are eleven. Four students in the downstairs studio space with the instructor, Jonathan Talbot, at the front of the room where two long tables span the width of the space to accommodate his needs. The other six are in the beautiful upstairs studio. Big windows looking out at the forest beyond. Bright sunny space. I had chosen to be in the downstairs space the day before because I didn’t relish the idea of lugging my six heavy tubs of art supplies up a half flight of stairs. I’m grateful this morning as the downstairs space, though darker, is cooler.

It is already warm outside by 9am.

Jonathan gathers group and asks, “How long does it take to win the 100m race?”

He answers his own question. About 10 seconds if you’re an Olympian. But it takes a whole lot of time getting there, he adds.

Art-making is like that. it takes time. Effort. Patience. Practice.

We practice. Practice. Practice. Experiment. Test. Attempt. The difference is, in art-making, there is no winning or losing, there is simply that place of exploding ideas, that space where judgement falls away and all we are left is the act of creation making something out of what wasn’t seen before, visible.

The edges of your substrate are your limitations, he tells us.

Don’t play to your limitations. Play to the elements of your creativity.

I like that.

Play to the elements. With the elements. Be one with the elements and let creativity play with me as I play with being creative.

Yes!

To read the Day 2 poem from Aug 28, Rest Again at the End of Day, click  HERE.